<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-09-18T20:13:25Z</responseDate><request verb="GetRecord" identifier="oai:dspace.mit.edu:1721.1/55188" metadataPrefix="dim">https://dspace.mit.edu/server/oai/request</request><GetRecord><record><header><identifier>oai:dspace.mit.edu:1721.1/55188</identifier><datestamp>2022-01-13T07:55:03Z</datestamp><setSpec>com_1721.1_7582</setSpec><setSpec>com_1721.1_7581</setSpec><setSpec>col_1721.1_131023</setSpec></header><metadata><dim:dim xmlns:dim="http://www.dspace.org/xmlns/dspace/dim" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://www.dspace.org/xmlns/dspace/dim http://www.dspace.org/schema/dim.xsd">
   <dim:field mdschema="dc" element="contributor" qualifier="advisor" lang="en_US">Judith Donath.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="author" lang="en_US">Dragulescu, Alexandru C</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="other" lang="en_US">Massachusetts Institute of Technology. Dept. of Architecture. Program in Media Arts and Sciences.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="department">Program in Media Arts and Sciences (Massachusetts Institute of Technology)</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="accessioned">2010-05-25T21:01:46Z</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="available">2010-05-25T21:01:46Z</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="copyright" lang="en_US">2009</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="issued" lang="en_US">2009</dim:field>
   <dim:field mdschema="dc" element="identifier" qualifier="uri">http://hdl.handle.net/1721.1/55188</dim:field>
   <dim:field mdschema="dc" element="identifier" qualifier="oclc" lang="en_US">608305541</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Thesis (S.M.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2009.</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Cataloged from PDF version of thesis.</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Includes bibliographical references (p. 91-93).</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="abstract" lang="en_US">While interacting online, one generates a multitude of personal data trails, both textual and behavioral. The data portrait is a way to collect, condense and represent these information trails, which are often time consuming and tedious to find and grasp when read linearly across web pages or domains, into an easy, legible, and compelling visualization. This thesis presents various data portraiture techniques that generate both individual and collective portraits of users participating in online social media. The data used in generating the portraits are unstructured text and publishing timestamps of Twitter micro-blog posts, as well as aggregate RSS feeds from FriendFeed. The strategies for depicting people's online personas explored in this thesis focus on the compression, mapping and visual representation components of the visualization pipeline. The resulting portraits attempt to maintain a tight connection with the data, and be legible to viewers, but at the same time, venture to explore more expressive visual forms, and engage with the evolving aesthetics of cinematography, typography and animation.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="statementofresponsibility" lang="en_US">by Alexandru C. Dragulescu.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="degree" lang="en_US">S.M.</dim:field>
   <dim:field mdschema="dc" element="format" qualifier="extent" lang="en_US">93 p.</dim:field>
   <dim:field mdschema="dc" element="language" qualifier="iso" lang="en_US">eng</dim:field>
   <dim:field mdschema="dc" element="publisher" lang="en_US">Massachusetts Institute of Technology</dim:field>
   <dim:field mdschema="dc" element="rights" lang="en_US">M.I.T. theses are protected by 
copyright. They may be viewed from this source for any purpose, but 
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permission. See provided URL for inquiries about permission.</dim:field>
   <dim:field mdschema="dc" element="rights" qualifier="uri" lang="en_US">http://dspace.mit.edu/handle/1721.1/7582</dim:field>
   <dim:field mdschema="dc" element="subject" lang="en_US">Architecture. Program in Media Arts and Sciences.</dim:field>
   <dim:field mdschema="dc" element="title" lang="en_US">Data portraits : aesthetics and algorithms</dim:field>
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   	&lt;Title>Data portraits : aesthetics and algorithms&lt;/Title>
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   	&lt;PublicationDate>2009&lt;/PublicationDate>
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        	&lt;DisplayName>Dragulescu, Alexandru C&lt;/DisplayName>
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    &lt;Keyword>Architecture. Program in Media Arts and Sciences.&lt;/Keyword>
   	&lt;Abstract>While interacting online, one generates a multitude of personal data trails, both textual and behavioral. The data portrait is a way to collect, condense and represent these information trails, which are often time consuming and tedious to find and grasp when read linearly across web pages or domains, into an easy, legible, and compelling visualization. This thesis presents various data portraiture techniques that generate both individual and collective portraits of users participating in online social media. The data used in generating the portraits are unstructured text and publishing timestamps of Twitter micro-blog posts, as well as aggregate RSS feeds from FriendFeed. The strategies for depicting people&amp;apos;s online personas explored in this thesis focus on the compression, mapping and visual representation components of the visualization pipeline. The resulting portraits attempt to maintain a tight connection with the data, and be legible to viewers, but at the same time, venture to explore more expressive visual forms, and engage with the evolving aesthetics of cinematography, typography and animation.&lt;/Abstract>
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