<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-09-18T23:40:31Z</responseDate><request verb="GetRecord" identifier="oai:dspace.mit.edu:1721.1/59903" metadataPrefix="dim">https://dspace.mit.edu/server/oai/request</request><GetRecord><record><header><identifier>oai:dspace.mit.edu:1721.1/59903</identifier><datestamp>2022-01-13T07:54:36Z</datestamp><setSpec>com_1721.1_7582</setSpec><setSpec>com_1721.1_7581</setSpec><setSpec>col_1721.1_131024</setSpec></header><metadata><dim:dim xmlns:dim="http://www.dspace.org/xmlns/dspace/dim" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://www.dspace.org/xmlns/dspace/dim http://www.dspace.org/schema/dim.xsd">
   <dim:field mdschema="dc" element="contributor" qualifier="advisor" lang="en_US">Nicholas Makris.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="author" lang="en_US">DiGenova, Mary E. (Mary Elizabeth)</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="other" lang="en_US">Massachusetts Institute of Technology. Dept. of Mechanical Engineering.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="department">Massachusetts Institute of Technology. Department of Mechanical Engineering</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="accessioned">2010-11-08T17:43:32Z</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="available">2010-11-08T17:43:32Z</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="copyright" lang="en_US">2010</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="issued" lang="en_US">2010</dim:field>
   <dim:field mdschema="dc" element="identifier" qualifier="uri">http://hdl.handle.net/1721.1/59903</dim:field>
   <dim:field mdschema="dc" element="identifier" qualifier="oclc" lang="en_US">676694925</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Thesis (S.B.)--Massachusetts Institute of Technology, Dept. of Mechanical Engineering, 2010.</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Cataloged from PDF version of thesis.</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Includes bibliographical references (p. 29-30).</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="abstract" lang="en_US">Humans have been making music for millennia, yet the processes of developing existent musical instruments and even inventing new ones are ongoing as technology advances and tastes change. Many recent developments have been made in a category of instruments I have chosen to refer to as "gestural instruments"- mainly electronic instruments which can map the performer's gesture to musical output in a variety of ways. In this thesis, I provide an overview of several gestural instruments of the last twenty years, showing some of the variety of gestures captured and the diversity of contexts in which musical and technological innovators see their work. To do this, I reference several recent patents as well as current work occurring at the MIT Media Lab. Finally, I discuss some of the advantages and disadvantages of gestural instruments as compared to traditional instruments.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="statementofresponsibility" lang="en_US">by Mary E. DiGenova.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="degree" lang="en_US">S.B.</dim:field>
   <dim:field mdschema="dc" element="format" qualifier="extent" lang="en_US">30 p.</dim:field>
   <dim:field mdschema="dc" element="language" qualifier="iso" lang="en_US">eng</dim:field>
   <dim:field mdschema="dc" element="publisher" lang="en_US">Massachusetts Institute of Technology</dim:field>
   <dim:field mdschema="dc" element="rights" lang="en_US">M.I.T. theses are protected by 
copyright. They may be viewed from this source for any purpose, but 
reproduction or distribution in any format is prohibited without written 
permission. See provided URL for inquiries about permission.</dim:field>
   <dim:field mdschema="dc" element="rights" qualifier="uri" lang="en_US">http://dspace.mit.edu/handle/1721.1/7582</dim:field>
   <dim:field mdschema="dc" element="subject" lang="en_US">Mechanical Engineering.</dim:field>
   <dim:field mdschema="dc" element="title" lang="en_US">An introduction to some recent developments in gestural musical instruments</dim:field>
   <dim:field mdschema="dc" element="type" lang="en_US">Thesis</dim:field>
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   	&lt;Title>An introduction to some recent developments in gestural musical instruments&lt;/Title>
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   	&lt;PublicationDate>2010&lt;/PublicationDate>
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        	&lt;DisplayName>DiGenova, Mary E. (Mary Elizabeth)&lt;/DisplayName>
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    &lt;Keyword>Mechanical Engineering.&lt;/Keyword>
   	&lt;Abstract>Humans have been making music for millennia, yet the processes of developing existent musical instruments and even inventing new ones are ongoing as technology advances and tastes change. Many recent developments have been made in a category of instruments I have chosen to refer to as &amp;quot;gestural instruments&amp;quot;- mainly electronic instruments which can map the performer&amp;apos;s gesture to musical output in a variety of ways. In this thesis, I provide an overview of several gestural instruments of the last twenty years, showing some of the variety of gestures captured and the diversity of contexts in which musical and technological innovators see their work. To do this, I reference several recent patents as well as current work occurring at the MIT Media Lab. Finally, I discuss some of the advantages and disadvantages of gestural instruments as compared to traditional instruments.&lt;/Abstract>
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