2026-09-19T21:12:24Zhttps://dspace.mit.edu/server/oai/requestoai:dspace.mit.edu:1721.1/650202022-01-13T07:54:12Zcom_1721.1_7582com_1721.1_7581col_1721.1_131023
Otto Piene.
Chan-Bernard, Mei-ling
Massachusetts Institute of Technology. Dept. of Architecture.
Massachusetts Institute of Technology. Department of Architecture
2011-08-01T14:29:32Z
2011-08-01T14:29:32Z
1990
1990
http://hdl.handle.net/1721.1/65020
24130381
Thesis (M.S.V.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1990.
Includes bibliographical references (leaves 135-137).
This thesis describes the development of my study of the influence of chinese geomancy on my art. The emphasis is on art forms created for the transportation of my mind to the audience within encompassing space and sculpted forms. The viewer interacts with the experience of the environmental event consisting of laser, sound, word imagery, and the moving figure. In this thesis, I assembled spritual and intuitive experiences that led me to equate Feng Shui as a harmonious aesthetic and a foundation for geomantic art. The purpose is to cite a binder for man's discord with nature and an awareness for earth's harmony.
by Mei-ling Chan-Bernard.
M.S.V.S.
137 leaves
eng
Massachusetts Institute of Technology
M.I.T. theses are protected by
copyright. They may be viewed from this source for any purpose, but
reproduction or distribution in any format is prohibited without written
permission. See provided URL for inquiries about permission.
http://dspace.mit.edu/handle/1721.1/7582
Architecture.
Rare earth : geomantic formulae for the production of works of art
Geomantic formulae for the production of works of ar
Thesis
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