2026-09-18T18:37:18Zhttps://dspace.mit.edu/server/oai/requestoai:dspace.mit.edu:1721.1/668012022-01-13T07:54:44Zcom_1721.1_7582com_1721.1_7581col_1721.1_131023
Annette M. Kim.
Durso, Holly Bellocchio
Massachusetts Institute of Technology. Dept. of Urban Studies and Planning.
Massachusetts Institute of Technology. Department of Urban Studies and Planning
n-us-ma
2011-11-01T19:46:29Z
2011-11-01T19:46:29Z
2011
2011
http://hdl.handle.net/1721.1/66801
757142668
Thesis (M.C.P.)--Massachusetts Institute of Technology, Dept. of Urban Studies and Planning, 2011.
Cataloged from PDF version of thesis.
Includes bibliographical references (p. 145-160).
Subways play crucial transportation roles in our cities, but they also act as unique public spaces, distinguished by specific design characteristics, governed by powerful state-run institutions, and subject to intense public scrutiny and social debate. This thesis takes the case of the United States' oldest subway system-Boston's T-and explores how and why its spaces and regulations over their appropriate use have changed over time in response to public perceptions, political battles, and broader social forces. I use data collected from historical newspaper archives, published reports, and official agency records to detail how the city's subway authorities-first the Boston Elevated Railway Company, then the Metropolitan Transit Authority (MTA), and presently the Massachusetts Bay Transportation Authority (MBTA)-have sought to manage and shape these unique underground spaces and simultaneously maintain an image of order and control within them. My research reveals and more closely examines three major factors that have influenced the changing controls over subway space usage in Boston: (1) the highly specific design constraints and unique physical aspects of the city's subway spaces; (2) evolving values and ideologies embedded within the transit agencies that are continuously seeking to promote a positive image of themselves; and (3) persisting public perceptions of subway spaces, many of which revolve around historical fears of the unknown and unfamiliar. By highlighting these complex hidden processes at work within Boston's underground realm, this thesis promotes a careful reexamination of a heavily used yet underappreciated urban space for the purposes of better understanding our experiences with and connections to the city.
by Holly Bellocchio Durso.
M.C.P.
160 p.
eng
Massachusetts Institute of Technology
M.I.T. theses are protected by
copyright. They may be viewed from this source for any purpose, but
reproduction or distribution in any format is prohibited without written
permission. See provided URL for inquiries about permission.
http://dspace.mit.edu/handle/1721.1/7582
Urban Studies and Planning.
Subway spaces as public places : politics and perceptions of Boston's T
Thesis
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<Abstract>Subways play crucial transportation roles in our cities, but they also act as unique public spaces, distinguished by specific design characteristics, governed by powerful state-run institutions, and subject to intense public scrutiny and social debate. This thesis takes the case of the United States' oldest subway system-Boston's T-and explores how and why its spaces and regulations over their appropriate use have changed over time in response to public perceptions, political battles, and broader social forces. I use data collected from historical newspaper archives, published reports, and official agency records to detail how the city's subway authorities-first the Boston Elevated Railway Company, then the Metropolitan Transit Authority (MTA), and presently the Massachusetts Bay Transportation Authority (MBTA)-have sought to manage and shape these unique underground spaces and simultaneously maintain an image of order and control within them. My research reveals and more closely examines three major factors that have influenced the changing controls over subway space usage in Boston: (1) the highly specific design constraints and unique physical aspects of the city's subway spaces; (2) evolving values and ideologies embedded within the transit agencies that are continuously seeking to promote a positive image of themselves; and (3) persisting public perceptions of subway spaces, many of which revolve around historical fears of the unknown and unfamiliar. By highlighting these complex hidden processes at work within Boston's underground realm, this thesis promotes a careful reexamination of a heavily used yet underappreciated urban space for the purposes of better understanding our experiences with and connections to the city.</Abstract>
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