2026-09-23T22:39:03Zhttps://dspace.mit.edu/server/oai/request

oai:dspace.mit.edu:1721.1/682842022-01-13T07:54:12Zcom_1721.1_7582com_1721.1_7581col_1721.1_131023

Fernando Domeyko. Lembersky, Yelena Massachusetts Institute of Technology. Dept. of Architecture. Massachusetts Institute of Technology. Department of Architecture 2012-01-12T18:36:13Z 2012-01-12T18:36:13Z 1994 1994 http://hdl.handle.net/1721.1/68284 30758596 Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1994. Includes bibliographical references (p. 89-91). Art and architecture share a common goal and similar formal principles. Their common goal is to express and abstract spiritual content through harmonious, pure and beautiful material form. The shared principles of form generation in art and architecture are abstraction, dematerialization, organization and construction of space. The similarity of purpose and formal principles allow art and architecture to inform each other. Artists have employed architectural elements as pure abstract form, and architects have applied art to formulate architectural intentions and resolve formal architectural problems. As well, artists and architects have collaborated often in the creation of single artistic or architectural projects. This thesis introduces a method of transforming painting into architecture. The formal methods found in selected paintings of the Russian painter Felix Lembersky (1913-1970) are used to generate the architectural form for the museum of these same paintings. The intention is to derive a form which is both rooted in architectural principles and is expressive of the art works to be exhibited within the museum. by Yelena Lembersky. M.Arch. 92 p. eng Massachusetts Institute of Technology M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission. http://dspace.mit.edu/handle/1721.1/7582 Architecture. Transformation of painting into architecture : museum for the works of F. Lembersky Thesis application/pdf false Publication unknown unknown <Publication xmlns="https://www.openaire.eu/cerif-profile/1.1/" id="11a5dfa7-9bcf-433d-af88-6b8a72073c52"> <Type xmlns="https://www.openaire.eu/cerif-profile/vocab/COAR_Publication_Types">http://purl.org/coar/resource_type/c_1843</Type> <Language>eng</Language> <Title>Transformation of painting into architecture : museum for the works of F. Lembersky</Title> <PublishedIn> <Publication> </Publication> </PublishedIn> <PublicationDate>1994</PublicationDate> <Authors> <Author> <DisplayName>Lembersky, Yelena</DisplayName> <Affiliation> <OrgUnit> </OrgUnit> </Affiliation> </Author> </Authors> <Editors> </Editors> <Publishers> <Publisher> <DisplayName>Massachusetts Institute of Technology</DisplayName> <OrgUnit /> </Publisher> </Publishers> <License>http://dspace.mit.edu/handle/1721.1/7582</License> <Keyword>Architecture.</Keyword> <Abstract>Art and architecture share a common goal and similar formal principles. Their common goal is to express and abstract spiritual content through harmonious, pure and beautiful material form. The shared principles of form generation in art and architecture are abstraction, dematerialization, organization and construction of space. The similarity of purpose and formal principles allow art and architecture to inform each other. Artists have employed architectural elements as pure abstract form, and architects have applied art to formulate architectural intentions and resolve formal architectural problems. As well, artists and architects have collaborated often in the creation of single artistic or architectural projects. This thesis introduces a method of transforming painting into architecture. The formal methods found in selected paintings of the Russian painter Felix Lembersky (1913-1970) are used to generate the architectural form for the museum of these same paintings. The intention is to derive a form which is both rooted in architectural principles and is expressive of the art works to be exhibited within the museum.</Abstract> <Access xmlns="http://purl.org/coar/access_right" > </Access> </Publication>