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   <dim:field mdschema="dc" element="contributor" qualifier="advisor" lang="en_US">Ellen Dunham-Jones.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="author" lang="en_US">Lee, Chris Y. J., 1972-</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="other" lang="en_US">Massachusetts Institute of Technology. Dept. of Architecture.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="department">Massachusetts Institute of Technology. Department of Architecture</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="accessioned">2012-01-12T19:20:17Z</dim:field>
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   <dim:field mdschema="dc" element="date" qualifier="copyright" lang="en_US">1999</dim:field>
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   <dim:field mdschema="dc" element="identifier" qualifier="oclc" lang="en_US">43642767</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1999.</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Rotch Library copy is a photocopy of the original and does not have col. ill.</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Includes bibliographical references (leaf 62).</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="abstract" lang="en_US">In modern consumer culture where history and tradition are mere footnotes to the insatiable obsession for instant gratification, much of today's architecture profession has maintained its philosophy around past glory and heroism. Many of us continue to approach architecture with the conviction for the enduring qualities of our craft while dismissing the ephemeral but most valuable attributes emanating from the popular trends. At a time when even the "avant-garde" -- once symbolizing the revolutionary social and economic efforts through art -- has come to mean cozy peddling of the exclusive few's whims, a non-exhaustive sequence of momentary trends is all that is left to inform the architecture for the rest of us. I propose architecture that can be more culturally relevant and less hypocritical about its connection to that same culture. I have designed an entertainment center for a television station to illustrate this thesis.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="statementofresponsibility" lang="en_US">by Chris Y.J. Lee.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="degree" lang="en_US">M.Arch.</dim:field>
   <dim:field mdschema="dc" element="format" qualifier="extent" lang="en_US">62 leaves</dim:field>
   <dim:field mdschema="dc" element="language" qualifier="iso" lang="en_US">eng</dim:field>
   <dim:field mdschema="dc" element="publisher" lang="en_US">Massachusetts Institute of Technology</dim:field>
   <dim:field mdschema="dc" element="rights" lang="en_US">M.I.T. theses are protected by &#xd;
copyright. They may be viewed from this source for any purpose, but &#xd;
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permission. See provided URL for inquiries about permission.</dim:field>
   <dim:field mdschema="dc" element="rights" qualifier="uri" lang="en_US">http://dspace.mit.edu/handle/1721.1/7582</dim:field>
   <dim:field mdschema="dc" element="subject" lang="en_US">Architecture.</dim:field>
   <dim:field mdschema="dc" element="title" lang="en_US">Timely/timeless : temporality and perpetuity in architecture</dim:field>
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   	&lt;Abstract>In modern consumer culture where history and tradition are mere footnotes to the insatiable obsession for instant gratification, much of today&amp;apos;s architecture profession has maintained its philosophy around past glory and heroism. Many of us continue to approach architecture with the conviction for the enduring qualities of our craft while dismissing the ephemeral but most valuable attributes emanating from the popular trends. At a time when even the &amp;quot;avant-garde&amp;quot; -- once symbolizing the revolutionary social and economic efforts through art -- has come to mean cozy peddling of the exclusive few&amp;apos;s whims, a non-exhaustive sequence of momentary trends is all that is left to inform the architecture for the rest of us. I propose architecture that can be more culturally relevant and less hypocritical about its connection to that same culture. I have designed an entertainment center for a television station to illustrate this thesis.&lt;/Abstract>
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