<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-09-19T13:12:35Z</responseDate><request verb="GetRecord" identifier="oai:dspace.mit.edu:1721.1/68743" metadataPrefix="dim">https://dspace.mit.edu/server/oai/request</request><GetRecord><record><header><identifier>oai:dspace.mit.edu:1721.1/68743</identifier><datestamp>2022-01-13T07:54:12Z</datestamp><setSpec>com_1721.1_7582</setSpec><setSpec>com_1721.1_7581</setSpec><setSpec>col_1721.1_131023</setSpec></header><metadata><dim:dim xmlns:dim="http://www.dspace.org/xmlns/dspace/dim" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://www.dspace.org/xmlns/dspace/dim http://www.dspace.org/schema/dim.xsd">
   <dim:field mdschema="dc" element="contributor" qualifier="advisor" lang="en_US">Rosemary Grimshaw.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="author" lang="en_US">McCullough Maker, Kathleen Grace</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="other" lang="en_US">Massachusetts Institute of Technology. Dept. of Architecture.</dim:field>
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   <dim:field mdschema="dc" element="identifier" qualifier="oclc" lang="en_US">26696202</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1992.</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Includes bibliographical references (p. 130-131).</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="abstract" lang="en_US">A proposition of this thesis is that architecture is capable of conveying a sense of animation, movement and energy. These are elusive properties. Their perception perhaps emerges from the building's form or articulation (referential to life-like forms). It may emerge from correlation with living processes (change, reactivity). At its most elusive, the perception perhaps comes from a capacity for" animo" ... A kind of completeness, intrinsic intent, inherent life. The work of Calder and Calatrava is examined in order to understand how such a perception might arise and to clarify what I mean by "animo". That inquiry is one part in a yet broader sequence of events exploring ways in which buildings are made and reflecting on ways of working. The journey, from percept towards the design of a composting fertilizer factory and rural rest stop in northern Mongolia, is an exploration of these issues. The thesis is a recording of the events.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="statementofresponsibility" lang="en_US">by Kathleen Grace McCullough Maker.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="degree" lang="en_US">M.Arch.</dim:field>
   <dim:field mdschema="dc" element="format" qualifier="extent" lang="en_US">131 p.</dim:field>
   <dim:field mdschema="dc" element="language" qualifier="iso" lang="en_US">eng</dim:field>
   <dim:field mdschema="dc" element="publisher" lang="en_US">Massachusetts Institute of Technology</dim:field>
   <dim:field mdschema="dc" element="rights" lang="en_US">M.I.T. theses are protected by 
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   <dim:field mdschema="dc" element="subject" lang="en_US">Architecture.</dim:field>
   <dim:field mdschema="dc" element="title" lang="en_US">Adelante con animo</dim:field>
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   	&lt;Title>Adelante con animo&lt;/Title>
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   	&lt;PublicationDate>1992&lt;/PublicationDate>
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   	&lt;Abstract>A proposition of this thesis is that architecture is capable of conveying a sense of animation, movement and energy. These are elusive properties. Their perception perhaps emerges from the building&amp;apos;s form or articulation (referential to life-like forms). It may emerge from correlation with living processes (change, reactivity). At its most elusive, the perception perhaps comes from a capacity for&amp;quot; animo&amp;quot; ... A kind of completeness, intrinsic intent, inherent life. The work of Calder and Calatrava is examined in order to understand how such a perception might arise and to clarify what I mean by &amp;quot;animo&amp;quot;. That inquiry is one part in a yet broader sequence of events exploring ways in which buildings are made and reflecting on ways of working. The journey, from percept towards the design of a composting fertilizer factory and rural rest stop in northern Mongolia, is an exploration of these issues. The thesis is a recording of the events.&lt;/Abstract>
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