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   <dim:field mdschema="dc" element="contributor" qualifier="advisor" lang="en_US">Starr Ockenga.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="author" lang="en_US">Nagura, Hideji</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="other" lang="en_US">Massachusetts Institute of Technology. Dept. of Architecture.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="department">Massachusetts Institute of Technology. Department of Architecture</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="accessioned">2012-02-29T16:46:37Z</dim:field>
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   <dim:field mdschema="dc" element="date" qualifier="copyright" lang="en_US">1982</dim:field>
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   <dim:field mdschema="dc" element="identifier" qualifier="oclc" lang="en_US">09065873</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Thesis (M.S.V.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1982.</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH.</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Bibliography: leaf 59.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="abstract" lang="en_US">This thesis consists of four parts. Part one is a written dialogue in which I respond to the words and the thoughts of the photographer, Diane Arbus. Through responding to Arbus' thoughts, I had hoped to make clear my own thoughts and feelings about photography and the reasons why I photograph. Part two is a description with drawn sketches. It describes my original plan for the public presentations of my project. Part Three consists of photographic collages with brief written descriptions. It describes the actual public presentations that took place. Part four is a written description of the public presentation project including: l. My original concept and motivation for doing the project. 2. A description of how the concept evolved into its final physical form. 3. What participation in the project meant to the participants and myself.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="statementofresponsibility" lang="en_US">by Hideji Nagura.</dim:field>
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   <dim:field mdschema="dc" element="rights" qualifier="uri" lang="en_US">http://dspace.mit.edu/handle/1721.1/7582</dim:field>
   <dim:field mdschema="dc" element="subject" lang="en_US">Architecture.</dim:field>
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   <dim:field mdschema="dc" element="subject" qualifier="lcsh" lang="en_US">Arbus, Diane, 1923-1971.</dim:field>
   <dim:field mdschema="dc" element="title" lang="en_US">Watching you watching you</dim:field>
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   	&lt;Abstract>This thesis consists of four parts. Part one is a written dialogue in which I respond to the words and the thoughts of the photographer, Diane Arbus. Through responding to Arbus&amp;apos; thoughts, I had hoped to make clear my own thoughts and feelings about photography and the reasons why I photograph. Part two is a description with drawn sketches. It describes my original plan for the public presentations of my project. Part Three consists of photographic collages with brief written descriptions. It describes the actual public presentations that took place. Part four is a written description of the public presentation project including: l. My original concept and motivation for doing the project. 2. A description of how the concept evolved into its final physical form. 3. What participation in the project meant to the participants and myself.&lt;/Abstract>
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