<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-09-21T20:22:26Z</responseDate><request verb="GetRecord" identifier="oai:dspace.mit.edu:1721.1/69717" metadataPrefix="dim">https://dspace.mit.edu/server/oai/request</request><GetRecord><record><header><identifier>oai:dspace.mit.edu:1721.1/69717</identifier><datestamp>2022-01-13T07:54:12Z</datestamp><setSpec>com_1721.1_7582</setSpec><setSpec>com_1721.1_7581</setSpec><setSpec>col_1721.1_131023</setSpec></header><metadata><dim:dim xmlns:dim="http://www.dspace.org/xmlns/dspace/dim" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://www.dspace.org/xmlns/dspace/dim http://www.dspace.org/schema/dim.xsd">
   <dim:field mdschema="dc" element="contributor" qualifier="advisor" lang="en_US">Thomas Chastain.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="author" lang="en_US">Robinson, Roy C., Jr</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="other" lang="en_US">Massachusetts Institute of Technology. Dept. of Architecture.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="department">Massachusetts Institute of Technology. Department of Architecture</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="accessioned">2012-03-16T15:57:52Z</dim:field>
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   <dim:field mdschema="dc" element="date" qualifier="copyright" lang="en_US">1991</dim:field>
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   <dim:field mdschema="dc" element="identifier" qualifier="uri">http://hdl.handle.net/1721.1/69717</dim:field>
   <dim:field mdschema="dc" element="identifier" qualifier="oclc" lang="en_US">24874093</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1991.</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Includes bibliographical references (p. 69-70).</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="abstract" lang="en_US">The desire to understand art in a context outside of the interpretive control of the museum environment is implicit in much of the work of contemporary artists. The city offers an alternative environment in which art can be understood as a part of a larger social order and the vitality of our everyday lives. To think of the city as a museum context requires first an understanding of the city as a weaving of systems (of movement, of use, of information, etc.); and then an understanding of the city in terms of the range of experiential encounters it offers, i.e. green spaces, public plazas. narrow allies, waterfront edges, heavily inhabited districts, privacies, passageways, and so on. With an understanding of this framework, one can conceive of overlaying yet another layer of encounter which exists in simuItaneaity with the existing urban order, while at times clarifying it or offering alternative interpretations to how the city can be understood. This work will attempt to establish some criteria for such an institution, then use those criteria in the development of the design proposition.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="statementofresponsibility" lang="en_US">by Roy C. Robinson, Jr.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="degree" lang="en_US">M.Arch.</dim:field>
   <dim:field mdschema="dc" element="format" qualifier="extent" lang="en_US">ix, 70 p.</dim:field>
   <dim:field mdschema="dc" element="language" qualifier="iso" lang="en_US">eng</dim:field>
   <dim:field mdschema="dc" element="publisher" lang="en_US">Massachusetts Institute of Technology</dim:field>
   <dim:field mdschema="dc" element="rights" lang="en_US">M.I.T. theses are protected by 
copyright. They may be viewed from this source for any purpose, but 
reproduction or distribution in any format is prohibited without written 
permission. See provided URL for inquiries about permission.</dim:field>
   <dim:field mdschema="dc" element="rights" qualifier="uri" lang="en_US">http://dspace.mit.edu/handle/1721.1/7582</dim:field>
   <dim:field mdschema="dc" element="subject" lang="en_US">Architecture.</dim:field>
   <dim:field mdschema="dc" element="title" lang="en_US">The simultaneous museum : a transformation of the exclusive type into a coexistent urban form</dim:field>
   <dim:field mdschema="dc" element="title" qualifier="alternative" lang="en_US">Transformation of the exclusive type into a coexistent urban form</dim:field>
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   	&lt;Title>The simultaneous museum : a transformation of the exclusive type into a coexistent urban form&lt;/Title>
   	&lt;Subtitle>Transformation of the exclusive type into a coexistent urban form&lt;/Subtitle>
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   	&lt;PublicationDate>1991&lt;/PublicationDate>
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   	&lt;Abstract>The desire to understand art in a context outside of the interpretive control of the museum environment is implicit in much of the work of contemporary artists. The city offers an alternative environment in which art can be understood as a part of a larger social order and the vitality of our everyday lives. To think of the city as a museum context requires first an understanding of the city as a weaving of systems (of movement, of use, of information, etc.); and then an understanding of the city in terms of the range of experiential encounters it offers, i.e. green spaces, public plazas. narrow allies, waterfront edges, heavily inhabited districts, privacies, passageways, and so on. With an understanding of this framework, one can conceive of overlaying yet another layer of encounter which exists in simuItaneaity with the existing urban order, while at times clarifying it or offering alternative interpretations to how the city can be understood. This work will attempt to establish some criteria for such an institution, then use those criteria in the development of the design proposition.&lt;/Abstract>
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