<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-09-18T19:30:09Z</responseDate><request verb="GetRecord" identifier="oai:dspace.mit.edu:1721.1/69801" metadataPrefix="dim">https://dspace.mit.edu/server/oai/request</request><GetRecord><record><header><identifier>oai:dspace.mit.edu:1721.1/69801</identifier><datestamp>2022-01-13T07:55:03Z</datestamp><setSpec>com_1721.1_7582</setSpec><setSpec>com_1721.1_7581</setSpec><setSpec>col_1721.1_131022</setSpec></header><metadata><dim:dim xmlns:dim="http://www.dspace.org/xmlns/dspace/dim" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://www.dspace.org/xmlns/dspace/dim http://www.dspace.org/schema/dim.xsd">
   <dim:field mdschema="dc" element="contributor" qualifier="advisor" lang="en_US">Chris Csikszentmihalyi.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="author" lang="en_US">Vawter, Noah (Noah Theodore)</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="other" lang="en_US">Massachusetts Institute of Technology. Dept. of Architecture. Program in Media Arts and Sciences.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="department">Program in Media Arts and Sciences (Massachusetts Institute of Technology)</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="accessioned">2012-03-16T16:04:20Z</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="available">2012-03-16T16:04:20Z</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="copyright" lang="en_US">2011</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="issued" lang="en_US">2011</dim:field>
   <dim:field mdschema="dc" element="identifier" qualifier="uri">http://hdl.handle.net/1721.1/69801</dim:field>
   <dim:field mdschema="dc" element="identifier" qualifier="oclc" lang="en_US">777957624</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Thesis (Ph. D.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2011.</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Cataloged from PDF version of thesis.</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Includes bibliographical references (p. 170-173).</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="abstract" lang="en_US">This dissertation describes the research, development and reasoning behind a family of musical instruments called Exertion Instruments. They use inline electrical generators to run a synthesizer and an amplifier while eliminating the need for batteries. Efficient acoustic design minimizes the power requirements while optimized generator and ergonomic design maximize power generation. As such, they combine the convenience of acoustic instruments with the flexibility of electronic instruments. Also, through new generator designs, nuances of player charging movements become as important to expression as the overall intensity of their playing. The player treats the generator like a typical physical resonator such as a string, using musical instrument playing gestures. Yet they manipulate audio electronically, enabling practices like sampling, synthesis and modulation. During development, a modular approach using amateur-friendly materials was taken to empower future instrument builders to customize and improve the instrument. In addition to technical criteria based on measurements, Exertion Instruments are evaluated through player and builder experiences in a series of technical workshops and realworld performances.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="statementofresponsibility" lang="en_US">by Noah Vawter.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="degree" lang="en_US">Ph.D.</dim:field>
   <dim:field mdschema="dc" element="format" qualifier="extent" lang="en_US">177 p.</dim:field>
   <dim:field mdschema="dc" element="language" qualifier="iso" lang="en_US">eng</dim:field>
   <dim:field mdschema="dc" element="publisher" lang="en_US">Massachusetts Institute of Technology</dim:field>
   <dim:field mdschema="dc" element="rights" lang="en_US">M.I.T. theses are protected by 
copyright. They may be viewed from this source for any purpose, but 
reproduction or distribution in any format is prohibited without written 
permission. See provided URL for inquiries about permission.</dim:field>
   <dim:field mdschema="dc" element="rights" qualifier="uri" lang="en_US">http://dspace.mit.edu/handle/1721.1/7582</dim:field>
   <dim:field mdschema="dc" element="subject" lang="en_US">Architecture. Program in Media Arts and Sciences.</dim:field>
   <dim:field mdschema="dc" element="title" lang="en_US">Exertion instruments</dim:field>
   <dim:field mdschema="dc" element="title" qualifier="alternative" lang="en_US">Exertion music</dim:field>
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   	&lt;Title>Exertion instruments&lt;/Title>
   	&lt;Subtitle>Exertion music&lt;/Subtitle>
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   	&lt;PublicationDate>2011&lt;/PublicationDate>
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    &lt;Keyword>Architecture. Program in Media Arts and Sciences.&lt;/Keyword>
   	&lt;Abstract>This dissertation describes the research, development and reasoning behind a family of musical instruments called Exertion Instruments. They use inline electrical generators to run a synthesizer and an amplifier while eliminating the need for batteries. Efficient acoustic design minimizes the power requirements while optimized generator and ergonomic design maximize power generation. As such, they combine the convenience of acoustic instruments with the flexibility of electronic instruments. Also, through new generator designs, nuances of player charging movements become as important to expression as the overall intensity of their playing. The player treats the generator like a typical physical resonator such as a string, using musical instrument playing gestures. Yet they manipulate audio electronically, enabling practices like sampling, synthesis and modulation. During development, a modular approach using amateur-friendly materials was taken to empower future instrument builders to customize and improve the instrument. In addition to technical criteria based on measurements, Exertion Instruments are evaluated through player and builder experiences in a series of technical workshops and realworld performances.&lt;/Abstract>
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