2026-09-19T09:08:46Zhttps://dspace.mit.edu/server/oai/requestoai:dspace.mit.edu:1721.1/702142022-01-13T07:54:12Zcom_1721.1_7582com_1721.1_7581col_1721.1_131023
Paul Earls.
Spikol, Daniel
Massachusetts Institute of Technology. Dept. of Architecture.
Massachusetts Institute of Technology. Department of Architecture
2012-04-26T18:23:59Z
2012-04-26T18:23:59Z
1992
1992
http://hdl.handle.net/1721.1/70214
26696297
Thesis (M.S.V.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1992.
Includes bibliographical references (leaves 57-58).
Digital Diorama may be briefly presented as: a historical exploration of the vision devices, performances, and installations of the nineteenth century, and their influences on the project. These histories of the magic lantern, the panorama, and the diorama are investigated in relation to forming a context for creating an interactive environment with digital video on a personal computer. Critical theories of the late twentieth century are used to illustrate the change of vision from classical to modern and present a framework for understanding the potentials of digital technology.
by Daniel Spikol.
M.S.V.S.
60 leaves
eng
Massachusetts Institute of Technology
M.I.T. theses are protected by
copyright. They may be viewed from this source for any purpose, but
reproduction or distribution in any format is prohibited without written
permission. See provided URL for inquiries about permission.
http://dspace.mit.edu/handle/1721.1/7582
Architecture.
Digital diorama
Thesis
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