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   <dim:field mdschema="dc" element="contributor" qualifier="advisor" lang="en_US">Edward Levine.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="author" lang="en_US">Torres, MaryAlice</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="other" lang="en_US">Massachusetts Institute of Technology. Dept. of Architecture.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="department">Massachusetts Institute of Technology. Department of Architecture</dim:field>
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   <dim:field mdschema="dc" element="identifier" qualifier="oclc" lang="en_US">26696309</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Thesis (M.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1992.</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Includes bibliographical references (p. 147-149).</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="abstract" lang="en_US">The idea for this thesis came from the recognition of the richness in an architectural experience and the desire to understand more about the meaning of this experience in the larger context of architecture and culture. Andalusia, Spain provides a uniqueness in that it unites, through many years of struggle, two cultures, the Spanish and the Islamic. It begins with the description of a personal architectural experience ... a journey through the Alhambra. From this description a clearer understanding of its meaning is derived. The existence of a dialog between nature and architecture becomes evident in the analysis. Light and shadow are integral in the making of this experience and layered upon these are elements which unify the experience. The integration of these aspects of the architectural experience provide a richer understanding of the definition of the architectural experience. As the experience becomes more clearly understood, its role in Islamic architecture in Spain becomes unveiled. This thesis is an attempt to challenge the personal experience of architecture and to analyze its meanings as a way to extend the understanding of Islamic architecture in Spain.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="statementofresponsibility" lang="en_US">by MaryAlice Torres.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="degree" lang="en_US">M.S.</dim:field>
   <dim:field mdschema="dc" element="format" qualifier="extent" lang="en_US">xii, 149 p.</dim:field>
   <dim:field mdschema="dc" element="language" qualifier="iso" lang="en_US">eng</dim:field>
   <dim:field mdschema="dc" element="publisher" lang="en_US">Massachusetts Institute of Technology</dim:field>
   <dim:field mdschema="dc" element="rights" lang="en_US">M.I.T. theses are protected by 
copyright. They may be viewed from this source for any purpose, but 
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   <dim:field mdschema="dc" element="rights" qualifier="uri" lang="en_US">http://dspace.mit.edu/handle/1721.1/7582</dim:field>
   <dim:field mdschema="dc" element="subject" lang="en_US">Architecture.</dim:field>
   <dim:field mdschema="dc" element="title" lang="en_US">Experiencing architecture, experiencing nature</dim:field>
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   	&lt;Title>Experiencing architecture, experiencing nature&lt;/Title>
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   	&lt;Abstract>The idea for this thesis came from the recognition of the richness in an architectural experience and the desire to understand more about the meaning of this experience in the larger context of architecture and culture. Andalusia, Spain provides a uniqueness in that it unites, through many years of struggle, two cultures, the Spanish and the Islamic. It begins with the description of a personal architectural experience ... a journey through the Alhambra. From this description a clearer understanding of its meaning is derived. The existence of a dialog between nature and architecture becomes evident in the analysis. Light and shadow are integral in the making of this experience and layered upon these are elements which unify the experience. The integration of these aspects of the architectural experience provide a richer understanding of the definition of the architectural experience. As the experience becomes more clearly understood, its role in Islamic architecture in Spain becomes unveiled. This thesis is an attempt to challenge the personal experience of architecture and to analyze its meanings as a way to extend the understanding of Islamic architecture in Spain.&lt;/Abstract>
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