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   <dim:field mdschema="dc" element="contributor" qualifier="advisor" lang="en_US">William Porter.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="author" lang="en_US">Willey, Guy Phillip</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="other" lang="en_US">Massachusetts Institute of Technology. Dept. of Architecture.</dim:field>
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   <dim:field mdschema="dc" element="date" qualifier="accessioned">2012-05-15T21:01:40Z</dim:field>
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   <dim:field mdschema="dc" element="date" qualifier="copyright" lang="en_US">1993</dim:field>
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   <dim:field mdschema="dc" element="identifier" qualifier="oclc" lang="en_US">28629353</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1993.</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Includes bibliographical references (p. 59).</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="abstract" lang="en_US">This thesis uses the still life as a medium for investigating architecture and the city . An analogy is established between what the thesis defines as still life and an urban composition (a site in East Cambridge). Through this analogy a specific understanding of architecture, site, and still life is explored. The analogy is used as a descriptive tool allowing the painting subject matter to be treated architecturally and architecture to be treated in a painterly manner. The site is analyzed as a still life to guide operational moves throughout the design exercise and to increase the experience of the site as both subject and object.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="statementofresponsibility" lang="en_US">by Guy Phillip Willey.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="degree" lang="en_US">M.Arch.</dim:field>
   <dim:field mdschema="dc" element="format" qualifier="extent" lang="en_US">59 p.</dim:field>
   <dim:field mdschema="dc" element="language" qualifier="iso" lang="en_US">eng</dim:field>
   <dim:field mdschema="dc" element="publisher" lang="en_US">Massachusetts Institute of Technology</dim:field>
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   <dim:field mdschema="dc" element="rights" qualifier="uri" lang="en_US">http://dspace.mit.edu/handle/1721.1/7582</dim:field>
   <dim:field mdschema="dc" element="subject" lang="en_US">Architecture.</dim:field>
   <dim:field mdschema="dc" element="title" lang="en_US">Site and still life</dim:field>
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   	&lt;Title>Site and still life&lt;/Title>
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   	&lt;PublicationDate>1993&lt;/PublicationDate>
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    &lt;Keyword>Architecture.&lt;/Keyword>
   	&lt;Abstract>This thesis uses the still life as a medium for investigating architecture and the city . An analogy is established between what the thesis defines as still life and an urban composition (a site in East Cambridge). Through this analogy a specific understanding of architecture, site, and still life is explored. The analogy is used as a descriptive tool allowing the painting subject matter to be treated architecturally and architecture to be treated in a painterly manner. The site is analyzed as a still life to guide operational moves throughout the design exercise and to increase the experience of the site as both subject and object.&lt;/Abstract>
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