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   <dim:field mdschema="dc" element="contributor" qualifier="advisor" lang="en_US">Stanford Anderson.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="author" lang="en_US">Epstein, Deborah A</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="other" lang="en_US">Massachusetts Institute of Technology. Dept. of Architecture.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="department">Massachusetts Institute of Technology. Department of Architecture</dim:field>
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   <dim:field mdschema="dc" element="date" qualifier="copyright" lang="en_US">1983</dim:field>
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   <dim:field mdschema="dc" element="identifier" qualifier="oclc" lang="en_US">11479906</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1983.</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Includes bibliographical references (p. 103-106).</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="abstract" lang="en_US">A common element of twentieth century thought has been the analysis of each phenomenon to its internal logic, the reduction of everything to bare essentials. What has evolved is a notion, to some extent shared by all of us, that in a world which seems almost incomprehensible we can regain meaning by stripping away the superfluous and revealing the essential. What has been pushed aside in this mind-cleaning frenzy is that other side of human nature, the speculative, imaginative side, a side no less important than the definitive and rational one. My purpose in this thesis is to use poetry--that is, poetic verse--as a model for relearning the expression of architectural ideas in ways that will encourage people to speculate and to form imaginative connections. The study is in two parts: an essay and a design of a library for Barnard College.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="statementofresponsibility" lang="en_US">by Deborah A. Epstein.</dim:field>
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   <dim:field mdschema="dc" element="format" qualifier="extent" lang="en_US">107 [i.e. 92] p. (8 folded)</dim:field>
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   <dim:field mdschema="dc" element="publisher" lang="en_US">Massachusetts Institute of Technology</dim:field>
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   <dim:field mdschema="dc" element="title" lang="en_US">Poetic expression in architecture</dim:field>
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   	&lt;Title>Poetic expression in architecture&lt;/Title>
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   	&lt;Abstract>A common element of twentieth century thought has been the analysis of each phenomenon to its internal logic, the reduction of everything to bare essentials. What has evolved is a notion, to some extent shared by all of us, that in a world which seems almost incomprehensible we can regain meaning by stripping away the superfluous and revealing the essential. What has been pushed aside in this mind-cleaning frenzy is that other side of human nature, the speculative, imaginative side, a side no less important than the definitive and rational one. My purpose in this thesis is to use poetry--that is, poetic verse--as a model for relearning the expression of architectural ideas in ways that will encourage people to speculate and to form imaginative connections. The study is in two parts: an essay and a design of a library for Barnard College.&lt;/Abstract>
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