<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-09-20T05:01:25Z</responseDate><request verb="GetRecord" identifier="oai:dspace.mit.edu:1721.1/73285" metadataPrefix="dim">https://dspace.mit.edu/server/oai/request</request><GetRecord><record><header><identifier>oai:dspace.mit.edu:1721.1/73285</identifier><datestamp>2022-01-13T07:54:12Z</datestamp><setSpec>com_1721.1_7582</setSpec><setSpec>com_1721.1_7581</setSpec><setSpec>col_1721.1_131023</setSpec></header><metadata><dim:dim xmlns:dim="http://www.dspace.org/xmlns/dspace/dim" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://www.dspace.org/xmlns/dspace/dim http://www.dspace.org/schema/dim.xsd">
   <dim:field mdschema="dc" element="contributor" qualifier="advisor" lang="en_US">William Lyman Porter.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="author" lang="en_US">Englund, John Henry</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="other" lang="en_US">Massachusetts Institute of Technology. Dept. of Architecture.</dim:field>
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   <dim:field mdschema="dc" element="date" qualifier="copyright" lang="en_US">1987</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="issued" lang="en_US">1987</dim:field>
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   <dim:field mdschema="dc" element="identifier" qualifier="oclc" lang="en_US">17246145</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1987.</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Includes bibliographical references (p. 79-80).</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="abstract" lang="en_US">It is the claim of this thesis that our society is undergoing a change as profound as the mechanical revolution which gave rise to modernism. An increasingly complex world demands an equally complex architecture. Not spacial complexity, necessarily, but rather semantic complexity is sought. This issue is explored through the design of a museum of Boston harbor on an East Boston waterfront site. The history of the site, its East Boston neighborhood, and the Boston waterfront are used as sources for the design. References are combined through the devices of bricolage, layering, and juxtaposition.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="statementofresponsibility" lang="en_US">John Henry Englund.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="degree" lang="en_US">M.Arch.</dim:field>
   <dim:field mdschema="dc" element="format" qualifier="extent" lang="en_US">83 p.</dim:field>
   <dim:field mdschema="dc" element="language" qualifier="iso" lang="en_US">eng</dim:field>
   <dim:field mdschema="dc" element="publisher" lang="en_US">Massachusetts Institute of Technology</dim:field>
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   <dim:field mdschema="dc" element="rights" qualifier="uri" lang="en_US">http://dspace.mit.edu/handle/1721.1/7582</dim:field>
   <dim:field mdschema="dc" element="subject" lang="en_US">Architecture.</dim:field>
   <dim:field mdschema="dc" element="title" lang="en_US">Toward an architecture of memory : a waterfront museum in East Boston</dim:field>
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   	&lt;Title>Toward an architecture of memory : a waterfront museum in East Boston&lt;/Title>
   	&lt;Subtitle>Waterfront museum in East Boston&lt;/Subtitle>
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   	&lt;PublicationDate>1987&lt;/PublicationDate>
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   	&lt;Abstract>It is the claim of this thesis that our society is undergoing a change as profound as the mechanical revolution which gave rise to modernism. An increasingly complex world demands an equally complex architecture. Not spacial complexity, necessarily, but rather semantic complexity is sought. This issue is explored through the design of a museum of Boston harbor on an East Boston waterfront site. The history of the site, its East Boston neighborhood, and the Boston waterfront are used as sources for the design. References are combined through the devices of bricolage, layering, and juxtaposition.&lt;/Abstract>
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