<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-09-20T05:00:43Z</responseDate><request verb="GetRecord" identifier="oai:dspace.mit.edu:1721.1/74319" metadataPrefix="dim">https://dspace.mit.edu/server/oai/request</request><GetRecord><record><header><identifier>oai:dspace.mit.edu:1721.1/74319</identifier><datestamp>2022-01-13T07:54:12Z</datestamp><setSpec>com_1721.1_7582</setSpec><setSpec>com_1721.1_7581</setSpec><setSpec>col_1721.1_131023</setSpec></header><metadata><dim:dim xmlns:dim="http://www.dspace.org/xmlns/dspace/dim" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://www.dspace.org/xmlns/dspace/dim http://www.dspace.org/schema/dim.xsd">
   <dim:field mdschema="dc" element="contributor" qualifier="advisor" lang="en_US">Otto Piene.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="author" lang="en_US">Geitz, Sarah</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="other" lang="en_US">Massachusetts Institute of Technology. Dept. of Architecture.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="department">Massachusetts Institute of Technology. Department of Architecture</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="accessioned">2012-10-26T17:59:42Z</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="available">2012-10-26T17:59:42Z</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="copyright" lang="en_US">1985</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="issued" lang="en_US">1985</dim:field>
   <dim:field mdschema="dc" element="identifier" qualifier="uri">http://hdl.handle.net/1721.1/74319</dim:field>
   <dim:field mdschema="dc" element="identifier" qualifier="oclc" lang="en_US">14137269</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Thesis (M.S.V.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1985.</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH.</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Includes bibliographical references (leaves 90-93).</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="abstract" lang="en_US">Personal computers are easy to program, inexpensive and portable. With two Commodore 64 computers, I created an artistic installation entitled "Songs in the Language of Information". It was composed of elements reflecting time, space, light, action and predictability. The two computers controlled projected light patterns, complementary synthesized sound and interactive relays triggered by viewers crossing light beams. The following thesis documents "Songs in the Language of Information". The "Introduction" presents background development leading up to this work. All components of the installation are discussed in "Physical Description" and "Analysis of the Work". A survey of selected recent and past work that has been influential to me is outlined in "Historical Precedents". "The Program" illustrates graphic elements, presents flow charts and lists programs of all subroutines used in the installation. The "Conclusion" offers what for me is the next step in my artistic work with computers.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="statementofresponsibility" lang="en_US">by Sarah Geitz.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="degree" lang="en_US">M.S.V.S.</dim:field>
   <dim:field mdschema="dc" element="format" qualifier="extent" lang="en_US">93 leaves</dim:field>
   <dim:field mdschema="dc" element="language" qualifier="iso" lang="en_US">eng</dim:field>
   <dim:field mdschema="dc" element="publisher" lang="en_US">Massachusetts Institute of Technology</dim:field>
   <dim:field mdschema="dc" element="rights" lang="en_US">M.I.T. theses are protected by 
copyright. They may be viewed from this source for any purpose, but 
reproduction or distribution in any format is prohibited without written 
permission. See provided URL for inquiries about permission.</dim:field>
   <dim:field mdschema="dc" element="rights" qualifier="uri" lang="en_US">http://dspace.mit.edu/handle/1721.1/7582</dim:field>
   <dim:field mdschema="dc" element="subject" lang="en_US">Architecture.</dim:field>
   <dim:field mdschema="dc" element="title" lang="en_US">Songs in the language of information : using personal computers to create sounds and graphics for a large scale installation</dim:field>
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   	&lt;Title>Songs in the language of information : using personal computers to create sounds and graphics for a large scale installation&lt;/Title>
   	&lt;Subtitle>Using personal computers to create sounds and graphics for a large scale installation&lt;/Subtitle>
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   	&lt;PublicationDate>1985&lt;/PublicationDate>
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   	&lt;Abstract>Personal computers are easy to program, inexpensive and portable. With two Commodore 64 computers, I created an artistic installation entitled &amp;quot;Songs in the Language of Information&amp;quot;. It was composed of elements reflecting time, space, light, action and predictability. The two computers controlled projected light patterns, complementary synthesized sound and interactive relays triggered by viewers crossing light beams. The following thesis documents &amp;quot;Songs in the Language of Information&amp;quot;. The &amp;quot;Introduction&amp;quot; presents background development leading up to this work. All components of the installation are discussed in &amp;quot;Physical Description&amp;quot; and &amp;quot;Analysis of the Work&amp;quot;. A survey of selected recent and past work that has been influential to me is outlined in &amp;quot;Historical Precedents&amp;quot;. &amp;quot;The Program&amp;quot; illustrates graphic elements, presents flow charts and lists programs of all subroutines used in the installation. The &amp;quot;Conclusion&amp;quot; offers what for me is the next step in my artistic work with computers.&lt;/Abstract>
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