<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-09-18T21:36:45Z</responseDate><request verb="GetRecord" identifier="oai:dspace.mit.edu:1721.1/74328" metadataPrefix="dim">https://dspace.mit.edu/server/oai/request</request><GetRecord><record><header><identifier>oai:dspace.mit.edu:1721.1/74328</identifier><datestamp>2022-01-13T07:54:12Z</datestamp><setSpec>com_1721.1_7582</setSpec><setSpec>com_1721.1_7581</setSpec><setSpec>col_1721.1_131023</setSpec></header><metadata><dim:dim xmlns:dim="http://www.dspace.org/xmlns/dspace/dim" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://www.dspace.org/xmlns/dspace/dim http://www.dspace.org/schema/dim.xsd">
   <dim:field mdschema="dc" element="contributor" qualifier="advisor" lang="en_US">Richard Leacock.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="author" lang="en_US">Griffith, Sarah</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="other" lang="en_US">Massachusetts Institute of Technology. Dept. of Architecture.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="department">Massachusetts Institute of Technology. Department of Architecture</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="accessioned">2012-10-26T18:00:26Z</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="available">2012-10-26T18:00:26Z</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="copyright" lang="en_US">1984</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="issued" lang="en_US">1984</dim:field>
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   <dim:field mdschema="dc" element="identifier" qualifier="oclc" lang="en_US">15992678</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Thesis (M.S.V.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1984.</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH,</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Includes bibliographical references (leaves 113-116).</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="abstract" lang="en_US">The use of computer graphics designed for film and television is discussed from an aesthetic and systems point of view. Graphics are used for information clarification in news and documentary work, digital video effects are used for style and pizazz, and special computer effects are used in fictional film. Freedom in designing all three demands a flexible, modular system and a responsive user interface. Business systems are described and current research into this problem explored. Development of effects in the specific MIT environment for the videotape project Key Change is also explained. Key Change is a 30 minute, 3/4 inch, color, stereo videotape submitted in partial fulfillment of the degree requirements. Problems and solutions in interfacing the time-sharing Visible Language Workshop graphics workstation to the Film Section one inch equipment are described. A possible user interface based on current research and the author's experience is designed. The videotape is in English.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="statementofresponsibility" lang="en_US">by Sarah Griffith.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="degree" lang="en_US">M.S.V.S.</dim:field>
   <dim:field mdschema="dc" element="format" qualifier="extent" lang="en_US">116 leaves</dim:field>
   <dim:field mdschema="dc" element="language" qualifier="iso" lang="en_US">eng</dim:field>
   <dim:field mdschema="dc" element="publisher" lang="en_US">Massachusetts Institute of Technology</dim:field>
   <dim:field mdschema="dc" element="rights" lang="en_US">M.I.T. theses are protected by 
copyright. They may be viewed from this source for any purpose, but 
reproduction or distribution in any format is prohibited without written 
permission. See provided URL for inquiries about permission.</dim:field>
   <dim:field mdschema="dc" element="rights" qualifier="uri" lang="en_US">http://dspace.mit.edu/handle/1721.1/7582</dim:field>
   <dim:field mdschema="dc" element="subject" lang="en_US">Architecture.</dim:field>
   <dim:field mdschema="dc" element="title" lang="en_US">Computer graphics and story telling</dim:field>
   <dim:field mdschema="dc" element="title" qualifier="alternative" lang="en_US">Key changes</dim:field>
   <dim:field mdschema="dc" element="title" qualifier="alternative" lang="en_US">Ear rings : using digital effects to enhance storytelling, or How to leave home and take it with you</dim:field>
   <dim:field mdschema="dc" element="title" qualifier="alternative" lang="en_US">Using digital effects to enhance storytelling, or How to leave home and take it with you</dim:field>
   <dim:field mdschema="dc" element="title" qualifier="alternative" lang="en_US">How to leave home and take it with you</dim:field>
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   	&lt;Title>Computer graphics and story telling&lt;/Title>
   	&lt;Subtitle>Key changes&lt;/Subtitle>
   	&lt;Subtitle>Ear rings : using digital effects to enhance storytelling, or How to leave home and take it with you&lt;/Subtitle>
   	&lt;Subtitle>Using digital effects to enhance storytelling, or How to leave home and take it with you&lt;/Subtitle>
   	&lt;Subtitle>How to leave home and take it with you&lt;/Subtitle>
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   	&lt;Abstract>The use of computer graphics designed for film and television is discussed from an aesthetic and systems point of view. Graphics are used for information clarification in news and documentary work, digital video effects are used for style and pizazz, and special computer effects are used in fictional film. Freedom in designing all three demands a flexible, modular system and a responsive user interface. Business systems are described and current research into this problem explored. Development of effects in the specific MIT environment for the videotape project Key Change is also explained. Key Change is a 30 minute, 3/4 inch, color, stereo videotape submitted in partial fulfillment of the degree requirements. Problems and solutions in interfacing the time-sharing Visible Language Workshop graphics workstation to the Film Section one inch equipment are described. A possible user interface based on current research and the author&amp;apos;s experience is designed. The videotape is in English.&lt;/Abstract>
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