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   <dim:field mdschema="dc" element="contributor" qualifier="advisor" lang="en_US">Richard Leacock.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="author" lang="en_US">Kaplan, Mark J</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="other" lang="en_US">Massachusetts Institute of Technology. Dept. of Architecture.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="department">Massachusetts Institute of Technology. Department of Architecture</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="accessioned">2012-12-13T18:38:51Z</dim:field>
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   <dim:field mdschema="dc" element="date" qualifier="copyright" lang="en_US">1985</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="issued" lang="en_US">1985</dim:field>
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   <dim:field mdschema="dc" element="identifier" qualifier="oclc" lang="en_US">15805628</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Thesis (M.S.V.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1985.</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH.</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Includes bibliographical references (leaf 43).</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="abstract" lang="en_US">This thesis consists of a text and a videotape, entitled Pull Ourselves Up or Die Out. The written thesis is an examination of the tradition of documentary film making with particular reference to notions of Realism, particularly as revealed in the ethnographic films made by John Marshall. The Marshall material spans a period from 1951 to the present day and relates the changes that the !Kung Bushman of Namibia have been forced to undergo. The material is unique and this thesis elaborates on the conditions and influences that have determined the film maker's strongly personal approach. The videotape that accompanies this thesis is 3/4 inch U-Matic, 25 minutes long, color, sound and. in English, Afrikaans and Ju/Wasi languages.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="statementofresponsibility" lang="en_US">by Mark J. Kaplan.</dim:field>
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   <dim:field mdschema="dc" element="format" qualifier="extent" lang="en_US">[1], ii, 43 leaves</dim:field>
   <dim:field mdschema="dc" element="language" qualifier="iso" lang="en_US">eng</dim:field>
   <dim:field mdschema="dc" element="publisher" lang="en_US">Massachusetts Institute of Technology</dim:field>
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   <dim:field mdschema="dc" element="rights" qualifier="uri" lang="en_US">http://dspace.mit.edu/handle/1721.1/7582</dim:field>
   <dim:field mdschema="dc" element="subject" lang="en_US">Architecture.</dim:field>
   <dim:field mdschema="dc" element="title" lang="en_US">Ethnographic film : an investigation with specific reference to the Bushman ethnographies of John Marshall</dim:field>
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   <dim:field mdschema="dc" element="title" qualifier="alternative" lang="en_US">Pull ourselves up or die out</dim:field>
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   	&lt;Title>Ethnographic film : an investigation with specific reference to the Bushman ethnographies of John Marshall&lt;/Title>
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   	&lt;Subtitle>Bushman ethnographies of John Marshall.&lt;/Subtitle>
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   	&lt;Abstract>This thesis consists of a text and a videotape, entitled Pull Ourselves Up or Die Out. The written thesis is an examination of the tradition of documentary film making with particular reference to notions of Realism, particularly as revealed in the ethnographic films made by John Marshall. The Marshall material spans a period from 1951 to the present day and relates the changes that the !Kung Bushman of Namibia have been forced to undergo. The material is unique and this thesis elaborates on the conditions and influences that have determined the film maker&amp;apos;s strongly personal approach. The videotape that accompanies this thesis is 3/4 inch U-Matic, 25 minutes long, color, sound and. in English, Afrikaans and Ju/Wasi languages.&lt;/Abstract>
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