2026-09-24T01:43:34Zhttps://dspace.mit.edu/server/oai/requestoai:dspace.mit.edu:1721.1/759142022-01-13T07:54:12Zcom_1721.1_7582com_1721.1_7581col_1721.1_131023
Michael Bishop.
Milanowski, Stephen R
Massachusetts Institute of Technology. Dept. of Architecture.
Massachusetts Institute of Technology. Department of Architecture
2013-01-07T21:05:10Z
2013-01-07T21:05:10Z
1982
1982
http://hdl.handle.net/1721.1/75914
08995794
Thesis (M.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1982.
MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH.
Includes bibliographical references.
While the history of photographic color technology has been adequately discussed by E.J. Hall, Joseph Friedman, and Brian Coe, the relationship between complex tri-color systems and generalized use of color photography has not been addressed in the Literature. This investigation is a preliminary study, in survey form, of the wide variety of social, economic, technological, and aesthetic factors affecting the protracted acceptance of color as a means of depiction. In separate analyses covering, 1) 19th century color innovation and interest, 2) Specific impediments related to the delay of color, 3) The selling of color during the 1930's and 40's, 4) The biases against color, 5) The precedents set by black and white rendering , and 6) The problems of resolving an accessible negative/positive color technology, we will describe the sequence of events which contributed to the eventual adoption of color materials and outline the conditions tied to this adoption. A fundamental aspect of this research acknowledges that, while photography was invented in 1839, large scale acceptance and use of color did not occur until 1965 - a full 126 years after the inception of black and white materials. The complex of factors related to this neglect of color has not been the subject of scholarly analysis in the Literature; there is not firm legacy of serious color photography and this couples with the absence of historical inquiry into the aesthetic and social aspects of color's evolution. The important invention of photography has provided us with a predominantly black and white record of things and events since 1839; this thesis, then, is an inquiry into the evolution of a technology and the complex of issues related to the cultural lags attached to most technological innovations.
by Stephen R. Milanowski.
M.S.
145 leaves
eng
Massachusetts Institute of Technology
M.I.T. theses are protected by
copyright. They may be viewed from this source for any purpose, but
reproduction or distribution in any format is prohibited without written
permission. See provided URL for inquiries about permission.
http://dspace.mit.edu/handle/1721.1/7582
Architecture.
Color photography History
Factors influencing the neglect of color photography : 1860 to 1970
Thesis
application/pdf
Publication
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<Abstract>While the history of photographic color technology has been adequately discussed by E.J. Hall, Joseph Friedman, and Brian Coe, the relationship between complex tri-color systems and generalized use of color photography has not been addressed in the Literature. This investigation is a preliminary study, in survey form, of the wide variety of social, economic, technological, and aesthetic factors affecting the protracted acceptance of color as a means of depiction. In separate analyses covering, 1) 19th century color innovation and interest, 2) Specific impediments related to the delay of color, 3) The selling of color during the 1930's and 40's, 4) The biases against color, 5) The precedents set by black and white rendering , and 6) The problems of resolving an accessible negative/positive color technology, we will describe the sequence of events which contributed to the eventual adoption of color materials and outline the conditions tied to this adoption. A fundamental aspect of this research acknowledges that, while photography was invented in 1839, large scale acceptance and use of color did not occur until 1965 - a full 126 years after the inception of black and white materials. The complex of factors related to this neglect of color has not been the subject of scholarly analysis in the Literature; there is not firm legacy of serious color photography and this couples with the absence of historical inquiry into the aesthetic and social aspects of color's evolution. The important invention of photography has provided us with a predominantly black and white record of things and events since 1839; this thesis, then, is an inquiry into the evolution of a technology and the complex of issues related to the cultural lags attached to most technological innovations.</Abstract>
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