<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-09-21T08:41:57Z</responseDate><request verb="GetRecord" identifier="oai:dspace.mit.edu:1721.1/77279" metadataPrefix="dim">https://dspace.mit.edu/server/oai/request</request><GetRecord><record><header><identifier>oai:dspace.mit.edu:1721.1/77279</identifier><datestamp>2026-06-05T15:33:00Z</datestamp><setSpec>com_1721.1_7582</setSpec><setSpec>com_1721.1_7581</setSpec><setSpec>col_1721.1_131023</setSpec></header><metadata><dim:dim xmlns:dim="http://www.dspace.org/xmlns/dspace/dim" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://www.dspace.org/xmlns/dspace/dim http://www.dspace.org/schema/dim.xsd">
   <dim:field mdschema="dc" element="contributor" qualifier="author" lang="en_US">Shamash, Diane Alexandria.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="other" lang="en_US">Massachusetts Institute of Technology. Department of Architecture.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="department" lang="en_US">Massachusetts Institute of Technology. Department of Architecture</dim:field>
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   <dim:field mdschema="dc" element="date" qualifier="accessioned">2013-03-01T14:43:35Z</dim:field>
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   <dim:field mdschema="dc" element="date" qualifier="copyright" lang="en_US">1981</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="issued" lang="en_US">1981</dim:field>
   <dim:field mdschema="dc" element="identifier" qualifier="uri" lang="en_US">http://hdl.handle.net/1721.1/77279</dim:field>
   <dim:field mdschema="dc" element="identifier" qualifier="oclc" lang="en_US">08176110</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Thesis: M.S.V.S., Massachusetts Institute of Technology, Department of Architecture, 1981</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Includes bibliographical references (p. 90-9l).</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="abstract" lang="en_US">In the last few years there has been a shift towards an interdisciplinary questioning of the urban environment, which has included planning, architecture, design and the fine arts. Although each discipline has approached the urban environment with a given set of assumptions based on its own history, a larger question has seemed to emerge: how can we make our cities more habitable, more social, more meaningful? Artists have sought definitions outside their own history including philosophical, sociological and scientific theories; planners and architects have also looked towards definitions of the urban environment which have included theories of perception and cognition. Sculptors are challenging the assigned role to public institutions, in terms of the work's symbology and meaning. Planners are questioning the value of their work based upon the lived perceptions of people on its streets. This shared questioning indicates the possibility of new directions for both environmental design and environmental art: sculpture, architecture, design; a joint history?</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="statementofresponsibility" lang="en_US">by Diane Alexandria Shamash.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="degree" lang="en_US">M.S.V.S.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="collection" lang="en_US">M.S.V.S. Massachusetts Institute of Technology, Department of Architecture</dim:field>
   <dim:field mdschema="dc" element="format" qualifier="extent" lang="en_US">91 p.</dim:field>
   <dim:field mdschema="dc" element="publisher" lang="en_US">Massachusetts Institute of Technology</dim:field>
   <dim:field mdschema="dc" element="rights" lang="en_US">MIT theses may be protected by copyright. Please reuse MIT thesis content according to the MIT Libraries Permissions Policy, which is available through the URL provided.</dim:field>
   <dim:field mdschema="dc" element="rights" qualifier="uri" lang="en_US">http://dspace.mit.edu/handle/1721.1/7582</dim:field>
   <dim:field mdschema="dc" element="subject" lang="en_US">Architecture.</dim:field>
   <dim:field mdschema="dc" element="subject" qualifier="lcsh" lang="en_US">Art and state.</dim:field>
   <dim:field mdschema="dc" element="subject" qualifier="lcsh" lang="en_US">Art and state
            Massachusetts
            Cambridge.</dim:field>
   <dim:field mdschema="dc" element="subject" qualifier="lcsh" lang="en_US">Public works
            Massachusetts
            Cambridge.</dim:field>
   <dim:field mdschema="dc" element="subject" qualifier="other" lang="en_US">Public works. fast</dim:field>
   <dim:field mdschema="dc" element="subject" qualifier="other" lang="en_US">Art and state. fast</dim:field>
   <dim:field mdschema="dc" element="title" lang="en_US">How can art change the meaning of the city? : an examination of an installation in a public setting, Compton Court, M.I.T.</dim:field>
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   	&lt;Title>How can art change the meaning of the city? : an examination of an installation in a public setting, Compton Court, M.I.T.&lt;/Title>
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   	&lt;PublicationDate>1981&lt;/PublicationDate>
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        	&lt;DisplayName>Shamash, Diane Alexandria.&lt;/DisplayName>
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    &lt;Keyword>Architecture.&lt;/Keyword>
   	&lt;Abstract>In the last few years there has been a shift towards an interdisciplinary questioning of the urban environment, which has included planning, architecture, design and the fine arts. Although each discipline has approached the urban environment with a given set of assumptions based on its own history, a larger question has seemed to emerge: how can we make our cities more habitable, more social, more meaningful? Artists have sought definitions outside their own history including philosophical, sociological and scientific theories; planners and architects have also looked towards definitions of the urban environment which have included theories of perception and cognition. Sculptors are challenging the assigned role to public institutions, in terms of the work&amp;apos;s symbology and meaning. Planners are questioning the value of their work based upon the lived perceptions of people on its streets. This shared questioning indicates the possibility of new directions for both environmental design and environmental art: sculpture, architecture, design; a joint history?&lt;/Abstract>
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