<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-09-19T08:49:41Z</responseDate><request verb="GetRecord" identifier="oai:dspace.mit.edu:1721.1/78045" metadataPrefix="dim">https://dspace.mit.edu/server/oai/request</request><GetRecord><record><header><identifier>oai:dspace.mit.edu:1721.1/78045</identifier><datestamp>2022-01-13T07:54:12Z</datestamp><setSpec>com_1721.1_7582</setSpec><setSpec>com_1721.1_7581</setSpec><setSpec>col_1721.1_131023</setSpec></header><metadata><dim:dim xmlns:dim="http://www.dspace.org/xmlns/dspace/dim" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://www.dspace.org/xmlns/dspace/dim http://www.dspace.org/schema/dim.xsd">
   <dim:field mdschema="dc" element="contributor" qualifier="advisor" lang="en_US">Andrew Lippman.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="author" lang="en_US">Weil, Peggy</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="other" lang="en_US">Massachusetts Institute of Technology. Dept. of Architecture.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="department">Massachusetts Institute of Technology. Department of Architecture</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="accessioned">2013-03-28T17:56:25Z</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="available">2013-03-28T17:56:25Z</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="copyright" lang="en_US">1982</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="issued" lang="en_US">1982</dim:field>
   <dim:field mdschema="dc" element="identifier" qualifier="uri">http://hdl.handle.net/1721.1/78045</dim:field>
   <dim:field mdschema="dc" element="identifier" qualifier="oclc" lang="en_US">09554719</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Thesis (M.S.V.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1982.</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH. VIDEODISC IN ARCHIVES AND ROTCH VISUAL COLLECTIONS.</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Includes bibliographical references (leaves 87-90).</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="abstract" lang="en_US">A technique of pictorially synthesizing facial imagery using optical videodiscs under computer control is described. Search, selection and averaging processes are performed on a catalogue of whole faces and facial features to yield a composite, expressive, recognizable face. An immediate application of this technique is the reconstruction of a particular face from memory for police identification, thus the project is called , IDENTIDISC. Part I-PACEMAKER describes the production and implementation of the IDENTIDISC system to produce composite faces. Part II-EXPRESSIONMAKER describes animation techniques to add expression and motion to composite faces . Expression sequences are manipulated to make 'anyface' make any face. Historical precedents of making facial composites, theories of facial recognition, classification and expression are also discussed. This thesis is accompanied by two copies of PACEMAKER-III, an optical videodisc produced at the Architecture Machine Group in 1982. The disc can be played on an optical videodisc player . The length is approximately 15 , 0000 frames. Frame numbers are indicated in the text by [ ].</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="statementofresponsibility" lang="en_US">by Peggy Weil.</dim:field>
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   <dim:field mdschema="dc" element="format" qualifier="extent" lang="en_US">91 leaves</dim:field>
   <dim:field mdschema="dc" element="language" qualifier="iso" lang="en_US">eng</dim:field>
   <dim:field mdschema="dc" element="publisher" lang="en_US">Massachusetts Institute of Technology</dim:field>
   <dim:field mdschema="dc" element="rights" lang="en_US">M.I.T. theses are protected by 
copyright. They may be viewed from this source for any purpose, but 
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   <dim:field mdschema="dc" element="rights" qualifier="uri" lang="en_US">http://dspace.mit.edu/handle/1721.1/7582</dim:field>
   <dim:field mdschema="dc" element="subject" lang="en_US">Architecture.</dim:field>
   <dim:field mdschema="dc" element="subject" qualifier="lcsh" lang="en_US">Facial expression</dim:field>
   <dim:field mdschema="dc" element="subject" qualifier="lcsh" lang="en_US">Image processing</dim:field>
   <dim:field mdschema="dc" element="subject" qualifier="lcsh" lang="en_US">Interactive computer systems</dim:field>
   <dim:field mdschema="dc" element="subject" qualifier="lcsh" lang="en_US">Videodiscs</dim:field>
   <dim:field mdschema="dc" element="title" lang="en_US">About face, computergraphic synthesis and manipulation of facial imagery</dim:field>
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   	&lt;Title>About face, computergraphic synthesis and manipulation of facial imagery&lt;/Title>
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   	&lt;PublicationDate>1982&lt;/PublicationDate>
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    &lt;Keyword>Architecture.&lt;/Keyword>
   	&lt;Abstract>A technique of pictorially synthesizing facial imagery using optical videodiscs under computer control is described. Search, selection and averaging processes are performed on a catalogue of whole faces and facial features to yield a composite, expressive, recognizable face. An immediate application of this technique is the reconstruction of a particular face from memory for police identification, thus the project is called , IDENTIDISC. Part I-PACEMAKER describes the production and implementation of the IDENTIDISC system to produce composite faces. Part II-EXPRESSIONMAKER describes animation techniques to add expression and motion to composite faces . Expression sequences are manipulated to make &amp;apos;anyface&amp;apos; make any face. Historical precedents of making facial composites, theories of facial recognition, classification and expression are also discussed. This thesis is accompanied by two copies of PACEMAKER-III, an optical videodisc produced at the Architecture Machine Group in 1982. The disc can be played on an optical videodisc player . The length is approximately 15 , 0000 frames. Frame numbers are indicated in the text by [ ].&lt;/Abstract>
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