2026-09-20T16:00:51Zhttps://dspace.mit.edu/server/oai/requestoai:dspace.mit.edu:1721.1/816562026-06-06T01:04:56Zcom_1721.1_7582com_1721.1_7581col_1721.1_131023
Azra Akšamija.
Callahan, Anne (Anne Alexandra)
Massachusetts Institute of Technology. Department of Architecture.
Massachusetts Institute of Technology. Department of Architecture
2013-10-24T17:40:12Z
2013-10-24T17:40:12Z
2013
2013
http://hdl.handle.net/1721.1/81656
859796679
Thesis (S.M. in Art, Culture and Technology)--Massachusetts Institute of Technology, Dept. of Architecture, 2013.
Cataloged from PDF version of thesis.
Includes bibliographical references (p. 65-68).
"Introduction," pgs. 15-20, see Leo Steinberg, "Other Criteria," in Other Criteria: Confrontations with Twentieth-Century Art (London: Oxford University Press, 1972), 55-91 and Nelson Goodman, "When Is Art?" in The Arts and Cognition, ed. David Perkins and Barbara Leondar (Baltimore: Johns Hopkins University Press, 1977): 11; "Art in the Garden," pgs. 21-34 (I-- H------- F-----), see also Yale Union, "A series of I-- H------ F----- exhibitions," July 2012-July 2013 in Portland, Oregon, accessible online at yaleunion.org; "A brief history of pop, v., with or without out," pgs. 35-44 (persuasive images): "Color will pop with realism"; "In or on the desktop," pgs. 45-52, see Margaret A. Hagen, Varieties of Realism: Geometries of Representational Art (Cambridge: Cambridge University Press, 1986); "Post" "Script," pg. 55; Illustrations, pgs. 56-64; Bibliography see bibliography..
by Anne Callahan.
S.M. in Art, Culture and Technology
68 p.
eng
Massachusetts Institute of Technology
M.I.T. theses are protected by
copyright. They may be viewed from this source for any purpose, but
reproduction or distribution in any format is prohibited without written
permission. See provided URL for inquiries about permission.
http://dspace.mit.edu/handle/1721.1/7582
Architecture.
Other means of communication
Thesis
application/pdf
Publication
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<Abstract>"Introduction," pgs. 15-20, see Leo Steinberg, "Other Criteria," in Other Criteria: Confrontations with Twentieth-Century Art (London: Oxford University Press, 1972), 55-91 and Nelson Goodman, "When Is Art?" in The Arts and Cognition, ed. David Perkins and Barbara Leondar (Baltimore: Johns Hopkins University Press, 1977): 11; "Art in the Garden," pgs. 21-34 (I-- H------- F-----), see also Yale Union, "A series of I-- H------ F----- exhibitions," July 2012-July 2013 in Portland, Oregon, accessible online at yaleunion.org; "A brief history of pop, v., with or without out," pgs. 35-44 (persuasive images): "Color will pop with realism"; "In or on the desktop," pgs. 45-52, see Margaret A. Hagen, Varieties of Realism: Geometries of Representational Art (Cambridge: Cambridge University Press, 1986); "Post" "Script," pg. 55; Illustrations, pgs. 56-64; Bibliography see bibliography..</Abstract>
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