<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-09-18T23:38:33Z</responseDate><request verb="GetRecord" identifier="oai:dspace.mit.edu:1721.1/82265" metadataPrefix="dim">https://dspace.mit.edu/server/oai/request</request><GetRecord><record><header><identifier>oai:dspace.mit.edu:1721.1/82265</identifier><datestamp>2026-06-06T01:04:54Z</datestamp><setSpec>com_1721.1_7582</setSpec><setSpec>com_1721.1_7581</setSpec><setSpec>col_1721.1_131023</setSpec></header><metadata><dim:dim xmlns:dim="http://www.dspace.org/xmlns/dspace/dim" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://www.dspace.org/xmlns/dspace/dim http://www.dspace.org/schema/dim.xsd">
   <dim:field mdschema="dc" element="contributor" qualifier="advisor" lang="en_US">Larry Sass.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="author" lang="en_US">Barone Lumaga, Michela</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="other" lang="en_US">Massachusetts Institute of Technology. Department of Architecture.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="department">Massachusetts Institute of Technology. Department of Architecture</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="accessioned">2013-11-18T19:01:46Z</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="available">2013-11-18T19:01:46Z</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="copyright" lang="en_US">2013</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="issued" lang="en_US">2013</dim:field>
   <dim:field mdschema="dc" element="identifier" qualifier="uri">http://hdl.handle.net/1721.1/82265</dim:field>
   <dim:field mdschema="dc" element="identifier" qualifier="oclc" lang="en_US">861186552</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Thesis (S.M. in Architecture Studies)--Massachusetts Institute of Technology, Dept. of Architecture, 2013.</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Cataloged from PDF version of thesis.</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Includes bibliographical references (p. 96-100).</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="abstract" lang="en_US">The revolution in modes of design and production anticipate a liberalization of material/fabrication that can potentially allow the masses to take control of the design of the urban space. Historically with each technical invention, writing, printing press, and video-cameras, came not only the possibility for new creative practices but also the formation of the socio-political structures to allow such new praxis to mobilize and become effective. For example, with the advent of printing press, publishing houses organized the literary world, selecting culture for mass consumption, or film and television industry grew to broadcast programs and movies. During the '90's, theories of virtuality and the commercialization and privatization of public spaces, were seen as potential dissolvers of physical public places. Today we should acknowledge the power of networked media and digital fabrication for their potential to physically build public good. This thesis explores and proposes a method to create urban places by designing three prototypes of urban objects that can be customized by the public and easily fabricated with a CNC router which will allow a digitally networked audience to participate in the physical making of space in their cities.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="statementofresponsibility" lang="en_US">by Michela Barone Lumaga.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="degree" lang="en_US">S.M. in Architecture Studies</dim:field>
   <dim:field mdschema="dc" element="format" qualifier="extent" lang="en_US">100 p.</dim:field>
   <dim:field mdschema="dc" element="language" qualifier="iso" lang="en_US">eng</dim:field>
   <dim:field mdschema="dc" element="publisher" lang="en_US">Massachusetts Institute of Technology</dim:field>
   <dim:field mdschema="dc" element="rights" lang="en_US">M.I.T. theses are protected by 
copyright. They may be viewed from this source for any purpose, but 
reproduction or distribution in any format is prohibited without written 
permission. See provided URL for inquiries about permission.</dim:field>
   <dim:field mdschema="dc" element="rights" qualifier="uri" lang="en_US">http://dspace.mit.edu/handle/1721.1/7582</dim:field>
   <dim:field mdschema="dc" element="subject" lang="en_US">Architecture.</dim:field>
   <dim:field mdschema="dc" element="title" lang="en_US">Public by design : auto-fabrication for a contemporary urban physiognomy</dim:field>
   <dim:field mdschema="dc" element="title" qualifier="alternative" lang="en_US">Auto-fabrication for a contemporary urban physiognomy</dim:field>
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   	&lt;Title>Public by design : auto-fabrication for a contemporary urban physiognomy&lt;/Title>
   	&lt;Subtitle>Auto-fabrication for a contemporary urban physiognomy&lt;/Subtitle>
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   	&lt;PublicationDate>2013&lt;/PublicationDate>
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            &lt;DisplayName>Massachusetts Institute of Technology&lt;/DisplayName>
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    &lt;Keyword>Architecture.&lt;/Keyword>
   	&lt;Abstract>The revolution in modes of design and production anticipate a liberalization of material/fabrication that can potentially allow the masses to take control of the design of the urban space. Historically with each technical invention, writing, printing press, and video-cameras, came not only the possibility for new creative practices but also the formation of the socio-political structures to allow such new praxis to mobilize and become effective. For example, with the advent of printing press, publishing houses organized the literary world, selecting culture for mass consumption, or film and television industry grew to broadcast programs and movies. During the &amp;apos;90&amp;apos;s, theories of virtuality and the commercialization and privatization of public spaces, were seen as potential dissolvers of physical public places. Today we should acknowledge the power of networked media and digital fabrication for their potential to physically build public good. This thesis explores and proposes a method to create urban places by designing three prototypes of urban objects that can be customized by the public and easily fabricated with a CNC router which will allow a digitally networked audience to participate in the physical making of space in their cities.&lt;/Abstract>
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