<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-09-18T20:49:46Z</responseDate><request verb="GetRecord" identifier="oai:dspace.mit.edu:1721.1/82282" metadataPrefix="dim">https://dspace.mit.edu/server/oai/request</request><GetRecord><record><header><identifier>oai:dspace.mit.edu:1721.1/82282</identifier><datestamp>2026-06-06T01:04:54Z</datestamp><setSpec>com_1721.1_7582</setSpec><setSpec>com_1721.1_7581</setSpec><setSpec>col_1721.1_131023</setSpec></header><metadata><dim:dim xmlns:dim="http://www.dspace.org/xmlns/dspace/dim" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://www.dspace.org/xmlns/dspace/dim http://www.dspace.org/schema/dim.xsd">
   <dim:field mdschema="dc" element="contributor" qualifier="advisor" lang="en_US">Azra Aksamija.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="author" lang="en_US">Silver, Micah</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="other" lang="en_US">Massachusetts Institute of Technology. Department of Architecture.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="department">Massachusetts Institute of Technology. Department of Architecture</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="accessioned">2013-11-18T19:03:51Z</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="available">2013-11-18T19:03:51Z</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="copyright" lang="en_US">2013</dim:field>
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   <dim:field mdschema="dc" element="identifier" qualifier="oclc" lang="en_US">861228555</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Thesis (S.M. in Art, Culture and Technology)--Massachusetts Institute of Technology, Dept. of Architecture, 2013.</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Cataloged from PDF version of thesis.</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Includes bibliographical references (p. [174]-181).</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="abstract" lang="en_US">These texts can be understood as potential documentation of my activities from 2002-2012. They can also be read as a constellation of theoretical statements relating to: art, music, thinking, economy, being, governance, psychology, music cognition, audio, diagrammatics, speculation, technology, governance, models of utility, logics of construction, systems theory, utopianism, sound studies, multiplicity, animal communication, pseudo-science, correlationism, theories of body, sound art, learning, everythingism, form, musicology, philosophy, poetry, philosophy of science These texts can also be understood in relation to productions documented on the Internet's World Wide Web and accessible via a browser/ compiler at: http://www.nophones.org</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="statementofresponsibility" lang="en_US">by Micah Silver.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="degree" lang="en_US">S.M. in Art, Culture and Technology</dim:field>
   <dim:field mdschema="dc" element="format" qualifier="extent" lang="en_US">181, [3] p.</dim:field>
   <dim:field mdschema="dc" element="language" qualifier="iso" lang="en_US">eng</dim:field>
   <dim:field mdschema="dc" element="publisher" lang="en_US">Massachusetts Institute of Technology</dim:field>
   <dim:field mdschema="dc" element="rights" lang="en_US">M.I.T. theses are protected by 
copyright. They may be viewed from this source for any purpose, but 
reproduction or distribution in any format is prohibited without written 
permission. See provided URL for inquiries about permission.</dim:field>
   <dim:field mdschema="dc" element="rights" qualifier="uri" lang="en_US">http://dspace.mit.edu/handle/1721.1/7582</dim:field>
   <dim:field mdschema="dc" element="subject" lang="en_US">Architecture.</dim:field>
   <dim:field mdschema="dc" element="title" lang="en_US">Figures in air : multiplicity and aurality as social architecture</dim:field>
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   	&lt;Title>Figures in air : multiplicity and aurality as social architecture&lt;/Title>
   	&lt;Subtitle>Multiplicity and aurality as social architecture&lt;/Subtitle>
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   	&lt;PublicationDate>2013&lt;/PublicationDate>
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    &lt;Keyword>Architecture.&lt;/Keyword>
   	&lt;Abstract>These texts can be understood as potential documentation of my activities from 2002-2012. They can also be read as a constellation of theoretical statements relating to: art, music, thinking, economy, being, governance, psychology, music cognition, audio, diagrammatics, speculation, technology, governance, models of utility, logics of construction, systems theory, utopianism, sound studies, multiplicity, animal communication, pseudo-science, correlationism, theories of body, sound art, learning, everythingism, form, musicology, philosophy, poetry, philosophy of science These texts can also be understood in relation to productions documented on the Internet&amp;apos;s World Wide Web and accessible via a browser/ compiler at: http://www.nophones.org&lt;/Abstract>
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