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Tod Machover. Bloomberg, Benjamin A Massachusetts Institute of Technology. Department of Architecture. Program in Media Arts and Sciences. Program in Media Arts and Sciences (Massachusetts Institute of Technology) 2015-02-25T17:12:24Z 2015-02-25T17:12:24Z 2014 2014 http://hdl.handle.net/1721.1/95591 903655268 Thesis: S.M., Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2014. Cataloged from PDF version of thesis. Includes bibliographical references (pages 99-103). Hyperproduction is a conceptual framework and a software toolkit which allows producers to specify a descriptive computational model and consequently an abstract state for a live experience through traditional operating paradigms such as mixing audio, operation of lighting, sound or video systems. The hyperproduction system is able to interpret this universal state and automatically utilize additional production systems, allowing for a small number of producers to cohesively guide the attention and perspective of an audience using many or very complex production systems simultaneously. The work focuses on exploring the relationship of conventional production systems and techniques to abstract computational models of live performance. The conceptual framework will identify key elements of an effective model in each case, with attention and perspective as the cornerstones of this exploration. Several examples of hyperproduction systems will be constructed and evaluated in a variety of live experiences, including sound-only performance, live broadcast, and remote interactive audience extension. by Benjamin A. Bloomberg. S.M. 103 pages eng Massachusetts Institute of Technology M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission. http://dspace.mit.edu/handle/1721.1/7582 Architecture. Program in Media Arts and Sciences. Hyperproduction : an audio-centric framework for the abstract modeling of live performance to guide audience attention and perspective using connected real-time systems Audio-centric framework for the abstract modeling of live performance to guide audience attention and perspective using connected real-time systems Thesis application/pdf false Publication unknown unknown <Publication xmlns="https://www.openaire.eu/cerif-profile/1.1/" id="a73d031d-112d-448d-ad33-80c79e75980c"> <Type xmlns="https://www.openaire.eu/cerif-profile/vocab/COAR_Publication_Types">http://purl.org/coar/resource_type/c_1843</Type> <Language>eng</Language> <Title>Hyperproduction : an audio-centric framework for the abstract modeling of live performance to guide audience attention and perspective using connected real-time systems</Title> <Subtitle>Audio-centric framework for the abstract modeling of live performance to guide audience attention and perspective using connected real-time systems</Subtitle> <PublishedIn> <Publication> </Publication> </PublishedIn> <PublicationDate>2014</PublicationDate> <Authors> <Author> <DisplayName>Bloomberg, Benjamin A</DisplayName> <Affiliation> <OrgUnit> </OrgUnit> </Affiliation> </Author> </Authors> <Editors> </Editors> <Publishers> <Publisher> <DisplayName>Massachusetts Institute of Technology</DisplayName> <OrgUnit /> </Publisher> </Publishers> <License>http://dspace.mit.edu/handle/1721.1/7582</License> <Keyword>Architecture. Program in Media Arts and Sciences.</Keyword> <Abstract>Hyperproduction is a conceptual framework and a software toolkit which allows producers to specify a descriptive computational model and consequently an abstract state for a live experience through traditional operating paradigms such as mixing audio, operation of lighting, sound or video systems. The hyperproduction system is able to interpret this universal state and automatically utilize additional production systems, allowing for a small number of producers to cohesively guide the attention and perspective of an audience using many or very complex production systems simultaneously. The work focuses on exploring the relationship of conventional production systems and techniques to abstract computational models of live performance. The conceptual framework will identify key elements of an effective model in each case, with attention and perspective as the cornerstones of this exploration. Several examples of hyperproduction systems will be constructed and evaluated in a variety of live experiences, including sound-only performance, live broadcast, and remote interactive audience extension.</Abstract> <Access xmlns="http://purl.org/coar/access_right" > </Access> </Publication>