<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-09-20T04:03:35Z</responseDate><request verb="GetRecord" identifier="oai:dspace.mit.edu:1721.1/97277" metadataPrefix="dim">https://dspace.mit.edu/server/oai/request</request><GetRecord><record><header><identifier>oai:dspace.mit.edu:1721.1/97277</identifier><datestamp>2026-06-06T00:47:47Z</datestamp><setSpec>com_1721.1_7582</setSpec><setSpec>com_1721.1_7581</setSpec><setSpec>col_1721.1_131023</setSpec></header><metadata><dim:dim xmlns:dim="http://www.dspace.org/xmlns/dspace/dim" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://www.dspace.org/xmlns/dspace/dim http://www.dspace.org/schema/dim.xsd">
   <dim:field mdschema="dc" element="contributor" qualifier="advisor" lang="en_US">Joel Lamere.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="author" lang="en_US">Wastvedt, Trygve (Trygve Howard)</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="other" lang="en_US">Massachusetts Institute of Technology. Department of Architecture.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="department">Massachusetts Institute of Technology. Department of Architecture</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="accessioned">2015-06-10T18:42:35Z</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="available">2015-06-10T18:42:35Z</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="copyright" lang="en_US">2015</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="issued" lang="en_US">2015</dim:field>
   <dim:field mdschema="dc" element="identifier" qualifier="uri">http://hdl.handle.net/1721.1/97277</dim:field>
   <dim:field mdschema="dc" element="identifier" qualifier="oclc" lang="en_US">910723273</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Thesis: M. Arch., Massachusetts Institute of Technology, Department of Architecture, 2015.</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">This electronic version was submitted by the student author.  The certified thesis is available in the Institute Archives and Special Collections.</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Cataloged from student-submitted PDF version of thesis.</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Includes bibliographical references.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="abstract" lang="en_US">There is a long tradition of architecture creating atmospheric, awe-inspiring experiences by shaping and making visible natural light. Another similarly long-established approach to daylighting optimizes lighting conditions through the use of computational tools which provide precise numerical and geometric models of solar rhythms. This thesis applies the quantitative control of computational methods to the creation of atmospherically daylit architecture, making possible spaces whose form, tuned to the rhythms of changing daylight, reveals latent celestial cycles. Traditional printed media afford limited potential for experiencing atmosphere. Thus, the thesis explores the use of video media and virtual reality to present an immersive experience of the architecture.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="statementofresponsibility" lang="en_US">by Trygve Wastvedt.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="degree" lang="en_US">M.Arch.</dim:field>
   <dim:field mdschema="dc" element="format" qualifier="extent" lang="en_US">55 pages</dim:field>
   <dim:field mdschema="dc" element="language" qualifier="iso" lang="en_US">eng</dim:field>
   <dim:field mdschema="dc" element="publisher" lang="en_US">Massachusetts Institute of Technology</dim:field>
   <dim:field mdschema="dc" element="rights" lang="en_US">M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission.</dim:field>
   <dim:field mdschema="dc" element="rights" qualifier="uri" lang="en_US">http://dspace.mit.edu/handle/1721.1/7582</dim:field>
   <dim:field mdschema="dc" element="subject" lang="en_US">Architecture.</dim:field>
   <dim:field mdschema="dc" element="title" lang="en_US">Heliocentric architecture : materializing solar cadences</dim:field>
   <dim:field mdschema="dc" element="title" qualifier="alternative" lang="en_US">Materializing solar cadences</dim:field>
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	&lt;Language>eng&lt;/Language>
   	&lt;Title>Heliocentric architecture : materializing solar cadences&lt;/Title>
   	&lt;Subtitle>Materializing solar cadences&lt;/Subtitle>
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   	&lt;PublicationDate>2015&lt;/PublicationDate>
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        	&lt;DisplayName>Wastvedt, Trygve (Trygve Howard)&lt;/DisplayName>
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            &lt;DisplayName>Massachusetts Institute of Technology&lt;/DisplayName>
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    &lt;License>http://dspace.mit.edu/handle/1721.1/7582&lt;/License>
    &lt;Keyword>Architecture.&lt;/Keyword>
   	&lt;Abstract>There is a long tradition of architecture creating atmospheric, awe-inspiring experiences by shaping and making visible natural light. Another similarly long-established approach to daylighting optimizes lighting conditions through the use of computational tools which provide precise numerical and geometric models of solar rhythms. This thesis applies the quantitative control of computational methods to the creation of atmospherically daylit architecture, making possible spaces whose form, tuned to the rhythms of changing daylight, reveals latent celestial cycles. Traditional printed media afford limited potential for experiencing atmosphere. Thus, the thesis explores the use of video media and virtual reality to present an immersive experience of the architecture.&lt;/Abstract>
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