<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-09-18T21:56:48Z</responseDate><request verb="GetRecord" identifier="oai:dspace.mit.edu:1721.1/98624" metadataPrefix="dim">https://dspace.mit.edu/server/oai/request</request><GetRecord><record><header><identifier>oai:dspace.mit.edu:1721.1/98624</identifier><datestamp>2022-01-18T17:16:50Z</datestamp><setSpec>com_1721.1_7582</setSpec><setSpec>com_1721.1_7581</setSpec><setSpec>col_1721.1_131023</setSpec></header><metadata><dim:dim xmlns:dim="http://www.dspace.org/xmlns/dspace/dim" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://www.dspace.org/xmlns/dspace/dim http://www.dspace.org/schema/dim.xsd">
   <dim:field mdschema="dc" element="contributor" qualifier="advisor" lang="en_US">Andrew B. Lippman.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="author" lang="en_US">Niles, Savannah</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="other" lang="en_US">Massachusetts Institute of Technology. Department of Architecture. Program in Media Arts and Sciences.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="department">Program in Media Arts and Sciences (Massachusetts Institute of Technology)</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="accessioned">2015-09-17T19:00:26Z</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="available">2015-09-17T19:00:26Z</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="copyright" lang="en_US">2015</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="issued" lang="en_US">2015</dim:field>
   <dim:field mdschema="dc" element="identifier" qualifier="uri">http://hdl.handle.net/1721.1/98624</dim:field>
   <dim:field mdschema="dc" element="identifier" qualifier="oclc" lang="en_US">920474747</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Thesis: S.M., Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2015.</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Cataloged from PDF version of thesis.</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Includes bibliographical references.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="abstract" lang="en_US">There is an emotional dimension to the informative function of the news. When we read the news we participate in a collective emotional experience- whether that is grief, celebration, worry, or wonder. News video is a crucial vector for these shared emotional experiences, which can propel civic action. But video comes at a high cost in time and attention, and is thus unsuitable for high volume news and social feeds, and mobile and wearable devices. On these interfaces, there is value in presenting video in a way that's immediately evocative, preserving the richness of video while atomizing it to an excerpt as "glanceable" as a still image. This thesis proposes Glyph, a tool for creating expressive, seamlessly-looping GIFs from video. The tool integrates opensource software for video/image manipulation and loop detection into a simple, web-based authoring interface. Glyph allows a user to automatically detect perfect loops that occur in a video, create the appearance of seamless motion in a non-looping clip, still some regions of movement in a clip to highlight others, or imbue a still frame with subtle dynamism. The part-automated, part-manual editing tool thus allows users to quickly build nonliteral excerpts from video that can immediately crystalize an affective quality or crucial moment, suspending and intensifying its semantic or emotional content through continuous, seamless looping. This thesis additionally explores applications for this class of image, called glyphs.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="statementofresponsibility" lang="en_US">by Savannah Niles.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="degree" lang="en_US">S.M.</dim:field>
   <dim:field mdschema="dc" element="format" qualifier="extent" lang="en_US">101 pages</dim:field>
   <dim:field mdschema="dc" element="language" qualifier="iso" lang="en_US">eng</dim:field>
   <dim:field mdschema="dc" element="publisher" lang="en_US">Massachusetts Institute of Technology</dim:field>
   <dim:field mdschema="dc" element="rights" lang="en_US">M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission.</dim:field>
   <dim:field mdschema="dc" element="rights" qualifier="uri" lang="en_US">http://dspace.mit.edu/handle/1721.1/7582</dim:field>
   <dim:field mdschema="dc" element="subject" lang="en_US">Architecture. Program in Media Arts and Sciences.</dim:field>
   <dim:field mdschema="dc" element="title" lang="en_US">Glyph : lightweight and evocative looping images in the news</dim:field>
   <dim:field mdschema="dc" element="title" qualifier="alternative" lang="en_US">Lightweight and evocative looping images in the news</dim:field>
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   	&lt;Title>Glyph : lightweight and evocative looping images in the news&lt;/Title>
   	&lt;Subtitle>Lightweight and evocative looping images in the news&lt;/Subtitle>
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   	&lt;PublicationDate>2015&lt;/PublicationDate>
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    &lt;Keyword>Architecture. Program in Media Arts and Sciences.&lt;/Keyword>
   	&lt;Abstract>There is an emotional dimension to the informative function of the news. When we read the news we participate in a collective emotional experience- whether that is grief, celebration, worry, or wonder. News video is a crucial vector for these shared emotional experiences, which can propel civic action. But video comes at a high cost in time and attention, and is thus unsuitable for high volume news and social feeds, and mobile and wearable devices. On these interfaces, there is value in presenting video in a way that&amp;apos;s immediately evocative, preserving the richness of video while atomizing it to an excerpt as &amp;quot;glanceable&amp;quot; as a still image. This thesis proposes Glyph, a tool for creating expressive, seamlessly-looping GIFs from video. The tool integrates opensource software for video/image manipulation and loop detection into a simple, web-based authoring interface. Glyph allows a user to automatically detect perfect loops that occur in a video, create the appearance of seamless motion in a non-looping clip, still some regions of movement in a clip to highlight others, or imbue a still frame with subtle dynamism. The part-automated, part-manual editing tool thus allows users to quickly build nonliteral excerpts from video that can immediately crystalize an affective quality or crucial moment, suspending and intensifying its semantic or emotional content through continuous, seamless looping. This thesis additionally explores applications for this class of image, called glyphs.&lt;/Abstract>
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