<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-09-19T10:58:08Z</responseDate><request verb="GetRecord" identifier="oai:dspace.mit.edu:1721.1/99267" metadataPrefix="dim">https://dspace.mit.edu/server/oai/request</request><GetRecord><record><header><identifier>oai:dspace.mit.edu:1721.1/99267</identifier><datestamp>2022-01-13T07:53:53Z</datestamp><setSpec>com_1721.1_7582</setSpec><setSpec>com_1721.1_7581</setSpec><setSpec>col_1721.1_131024</setSpec></header><metadata><dim:dim xmlns:dim="http://www.dspace.org/xmlns/dspace/dim" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://www.dspace.org/xmlns/dspace/dim http://www.dspace.org/schema/dim.xsd">
   <dim:field mdschema="dc" element="contributor" qualifier="advisor" lang="en_US">Azra Aksamija.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="author" lang="en_US">Kim, Stella Seojin</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="other" lang="en_US">Massachusetts Institute of Technology. Department of Architecture.</dim:field>
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   <dim:field mdschema="dc" element="date" qualifier="accessioned">2015-10-14T15:02:09Z</dim:field>
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   <dim:field mdschema="dc" element="date" qualifier="copyright" lang="en_US">2015</dim:field>
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   <dim:field mdschema="dc" element="description" lang="en_US">Thesis: S.B., Massachusetts Institute of Technology, Department of Architecture, 2015.</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Cataloged from PDF version of thesis.</dim:field>
   <dim:field mdschema="dc" element="description" lang="en_US">Includes bibliographical references (pages 43-44).</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="abstract" lang="en_US">We represent the Vietnam War as a concluded event in the past; however, the Agent- Orange-affected population in Vietnam shows that war is contemporary. This population remains relatively unknown to the world - especially to the Western world. We are isolated from the Agent-Orange-affected population because we have grown dependent on curated images of the Vietnam War in popular media that do not include the local population. Here, a challenging duty of a filmmaker is to create new images that convey their experience. This thesis will examine the filmmaking process of the contemporary population affected by Agent Orange in Vietnam and raise larger questions about the ways in which we capture contemporary war victims' stories through video. How can film revive engagements with a seemingly concluded war? How do we tell stories of people with visually apparent abnormalities without ostracizing them?</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="statementofresponsibility" lang="en_US">by Stella Seojin Kim.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="degree" lang="en_US">S.B.</dim:field>
   <dim:field mdschema="dc" element="format" qualifier="extent" lang="en_US">44 pages</dim:field>
   <dim:field mdschema="dc" element="language" qualifier="iso" lang="en_US">eng</dim:field>
   <dim:field mdschema="dc" element="publisher" lang="en_US">Massachusetts Institute of Technology</dim:field>
   <dim:field mdschema="dc" element="rights" lang="en_US">M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission.</dim:field>
   <dim:field mdschema="dc" element="rights" qualifier="uri" lang="en_US">http://dspace.mit.edu/handle/1721.1/7582</dim:field>
   <dim:field mdschema="dc" element="subject" lang="en_US">Architecture.</dim:field>
   <dim:field mdschema="dc" element="title" lang="en_US">War in present tense : filming children of Agent Orange rehabilitation villages in Vietnam and the danger of misrepresentation</dim:field>
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   	&lt;Title>War in present tense : filming children of Agent Orange rehabilitation villages in Vietnam and the danger of misrepresentation&lt;/Title>
   	&lt;Subtitle>Filming children of Agent Orange rehabilitation villages in Vietnam and the danger of misrepresentation&lt;/Subtitle>
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   	&lt;Abstract>We represent the Vietnam War as a concluded event in the past; however, the Agent- Orange-affected population in Vietnam shows that war is contemporary. This population remains relatively unknown to the world - especially to the Western world. We are isolated from the Agent-Orange-affected population because we have grown dependent on curated images of the Vietnam War in popular media that do not include the local population. Here, a challenging duty of a filmmaker is to create new images that convey their experience. This thesis will examine the filmmaking process of the contemporary population affected by Agent Orange in Vietnam and raise larger questions about the ways in which we capture contemporary war victims&amp;apos; stories through video. How can film revive engagements with a seemingly concluded war? How do we tell stories of people with visually apparent abnormalities without ostracizing them?&lt;/Abstract>
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