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dc.contributor.advisorKarilyn Crockett.en_US
dc.contributor.authorCurbera, Julia.en_US
dc.contributor.otherMassachusetts Institute of Technology. Department of Urban Studies and Planning.en_US
dc.coverage.spatialn-us-maen_US
dc.date.accessioned2020-09-15T22:05:14Z
dc.date.available2020-09-15T22:05:14Z
dc.date.copyright2020en_US
dc.date.issued2020en_US
dc.identifier.urihttps://hdl.handle.net/1721.1/127591
dc.descriptionThesis: M.C.P., Massachusetts Institute of Technology, Department of Urban Studies and Planning, May, 2020en_US
dc.descriptionCataloged from the official PDF of thesis.en_US
dc.descriptionIncludes bibliographical references (pages 110-114).en_US
dc.description.abstractHow can art and creative placemaking practice towards social justice? Based in the Point neighborhood of Salem, Massachusetts, North Shore Community Development Coalition's (North Shore CDC) Punto Urban Art Museum (PUAM) is a "social justice art program" that aims to break down socio-economic divides between the Point, a historically immigrant neighborhood, and the rest of Salem, by beautifying the public realm with over 100 murals painted on or adjacent to affordable housing. Responding to a practical problem of low resident engagement in PUAM, however, this thesis proposes shared authority to operationalize two dimensions of social justice: material distribution and cultural recognition. Shared authority involves elevating diverse knowledge, perspectives, and lived experiences into the programs, interventions and narratives that create public culture.en_US
dc.description.abstractAs engaged scholars with North Shore CDC, we thus ask: How have PUAM programs shared authority with Point residents? This thesis defends shared authority as social justice practice by tracing theory on social justice, art and placemaking, cultural tourism, museum education, and CDCs. Through interviews with program staff and stakeholders, historical research, and a review of public media, we find evidence of the presence and absence of shared authority in PUAM's history. We discuss how shared authority may contest cultural misrecognition and practice towards social justice by allowing positive self-definitions of difference; and explain how a focus on outside recognition may have precluded a more robust shared authority approach.en_US
dc.description.abstractIn a moment of PUAM's future planning, and as cities leverage creative placemaking for economic growth and for social change, understanding these promises and pitfalls of creative placemaking is useful knowledge for orienting this practice towards social justice. We conclude with questions and proposals for how PUAM or other creative placemaking programs can share authority in their work. To celebrate other ways of learning and knowing, and to acknowledge our engaged scholarship approach, we ground our theory with visual storytelling. We use art to communicate theory in an accessible and memorable way, to bridge ideas from literature to conversations and decision-making on the ground.en_US
dc.description.statementofresponsibilityby Julia Curbera.en_US
dc.format.extent114 pagesen_US
dc.language.isoengen_US
dc.publisherMassachusetts Institute of Technologyen_US
dc.rightsMIT theses may be protected by copyright. Please reuse MIT thesis content according to the MIT Libraries Permissions Policy, which is available through the URL provided.en_US
dc.rights.urihttp://dspace.mit.edu/handle/1721.1/7582en_US
dc.subjectUrban Studies and Planning.en_US
dc.titleThe Punto Urban Art Museum in Salem, Massachusetts : a case for shared authorityen_US
dc.typeThesisen_US
dc.description.degreeM.C.P.en_US
dc.contributor.departmentMassachusetts Institute of Technology. Department of Urban Studies and Planningen_US
dc.identifier.oclc1193555886en_US
dc.description.collectionM.C.P. Massachusetts Institute of Technology, Department of Urban Studies and Planningen_US
dspace.imported2020-09-15T22:05:14Zen_US
mit.thesis.degreeMasteren_US
mit.thesis.departmentUrbStuden_US


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