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Now showing items 61-70 of 123
Spatial contexts : an interactive environment for personal design
(Massachusetts Institute of Technology, 1986)
About face, computergraphic synthesis and manipulation of facial imagery
(Massachusetts Institute of Technology, 1982)
A technique of pictorially synthesizing facial imagery using optical videodiscs under computer control is described. Search, selection and averaging processes are performed on a catalogue of whole faces and facial features ...
Integration of range images from multiple viewpoints into a particle database
(Massachusetts Institute of Technology, 1989)
The contribution of 3-D sound to the human-computer interface
(Massachusetts Institute of Technology, 1981)
Sound inherently has a spatial quality, an ability to be localized in three dimensions. This is the essence of 3-D, or spatial, sound. A system capable of recording sounds as digitized samples and playing them back in a ...
Graphical marionette : a modern-day Pinocchio
(Massachusetts Institute of Technology, 1983)
Representing the form and movement of human beings naturally, expressively, and computationally is a challenging endeavor. While the skeletal framework can be conveniently described, conventional modeling techniques are ...
Waterworks : an artist's inquiry into the development of spaces that promote creative interaction
(Massachusetts Institute of Technology, 1985)
"To Function In His Fullest Scope, Man Must Restore The Unity Of His Experiences So That He Can Register Sensory, Emotional And Intellectual Dimensions Of The Present In An Indivisible Whole." [Kepes] The objective of this ...
Reality
(Massachusetts Institute of Technology, 1981)
When the Universe first exploded it also imploded simultaneously. In that eternal instance the values of mass and energy were set in some perpetual equilibrium, determining the symmetries of nature. In effect, all that ...
The weight of pictorial space
(Massachusetts Institute of Technology, 1983)
This thesis examines the current theories and research of picture perception in relation to the development of a photographic aesthetic. It attempts to show that certain properties of the photographic image determine the ...
Mother/photographers
(Massachusetts Institute of Technology, 1981)
The thesis work consists of : 1) A visual statement of 30-40 black and white photographs produced in 1980-1981 and presented in an exhibit at the Creative Photography Gallery , April 3-29, 1981. The statement consists of ...
Computer animation within videospace
(Massachusetts Institute of Technology, 1984)