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dc.contributor.advisorOtto Piene.en_US
dc.contributor.authorBegleiter, Ericen_US
dc.contributor.otherMassachusetts Institute of Technology. Dept. of Architecture.en_US
dc.date.accessioned2005-08-05T20:10:44Z
dc.date.available2005-08-05T20:10:44Z
dc.date.copyright1984en_US
dc.date.issued1984en_US
dc.identifier.urihttp://hdl.handle.net/1721.1/15430
dc.descriptionThesis (M.S.V.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1984.en_US
dc.descriptionMICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH.en_US
dc.descriptionBibliography: leaves 89-98.en_US
dc.description.abstractA selection of ancient concepts of ratio, form, proportion and harmony is used as the basis for the motivation and design of geometric art forms. Through a comparison of both contemporary concepts of dimensional space and ancient structural forms, new relationships are inferred. These relationships are then applied in the creation of original sculpture by the artist.en_US
dc.description.statementofresponsibilityby Eric Begleiter.en_US
dc.format.extent98 [i.e. 106] leavesen_US
dc.format.extent10142049 bytes
dc.format.extent10141808 bytes
dc.format.mimetypeapplication/pdf
dc.format.mimetypeapplication/pdf
dc.language.isoengen_US
dc.publisherMassachusetts Institute of Technologyen_US
dc.rightsM.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission.en_US
dc.rights.urihttp://dspace.mit.edu/handle/1721.1/7582
dc.subjectArchitecture.en_US
dc.titleThe effect of the principles of dynamic symmetry on modern art and scienceen_US
dc.typeThesisen_US
dc.description.degreeM.S.V.S.en_US
dc.contributor.departmentMassachusetts Institute of Technology. Department of Architecture
dc.identifier.oclc12775506en_US


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