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Journey to the East : the re(make) of Chinese animation

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dc.contributor.advisor Jing Wang. en_US
dc.contributor.author Huang, He, S.M. Massachusetts Institute of Technology en_US
dc.contributor.other Massachusetts Institute of Technology. Dept. of Comparative Media Studies. en_US
dc.date.accessioned 2009-01-30T18:33:22Z
dc.date.available 2009-01-30T18:33:22Z
dc.date.copyright 2007 en_US
dc.date.issued 2007 en_US
dc.identifier.uri http://dspace.mit.edu/handle/1721.1/39153 en_US
dc.identifier.uri http://hdl.handle.net/1721.1/39153
dc.description Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Comparative Media Studies, 2007. en_US
dc.description Includes bibliographical references (p. 115-123). Filmography: p. 124-125. en_US
dc.description.abstract This thesis attempts to look at how Chinese animation cinema has evolved over the years and how the Chinese nation is being constructed and contested through animation filmic texts and animation filmmaking practices as sites where national and transnational cultural and economic flows converge and contend. The unraveling of the intricate relations between animation cinema and nation is intended to shed light on the understanding of contemporary cultural, social and media scapes in China. The Introduction addresses motivations and goals, critical questions, and over-riding theoretical framework and methodology. Chapter One explores the origin of the pursuit of a national animation style by investigating early Chinese animation cinema of the pre-reform period. It also serves as a backdrop against which the present discourse of revitalizing national animation cinema is being articulated. en_US
dc.description.abstract (cont.) Chapter Two closely examines a commercial 3D feature-length animation production - Thru the Moebius Strip, as a case of "homemade" in the era of global capitalism, to look into modern nation-building both at the industry level and the filmic text level. Chapter Three closely examines another recent feature production, Little Soldier Zhang Ga, which can be read as a new type of "national" film that inherited the heritages of the socialist cinema, but aims at revolutionizing the animation cinema. The Conclusion comes back to the core question of the national and the creative, which contemporary animation cinema centers on. I try to disentangle the relations between Chinese animation filmmaking and the state discourse of national, taking into account the broader political, institutional, economic and cultural situations. en_US
dc.description.statementofresponsibility by He Huang. en_US
dc.format.extent 125 p. en_US
dc.language.iso eng en_US
dc.publisher Massachusetts Institute of Technology en_US
dc.rights M.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission. en_US
dc.rights.uri http://dspace.mit.edu/handle/1721.1/39153 en_US
dc.rights.uri http://dspace.mit.edu/handle/1721.1/7582 en_US
dc.subject Comparative Media Studies. en_US
dc.title Journey to the East : the re(make) of Chinese animation en_US
dc.title.alternative Remake of Chinese animation en_US
dc.type Thesis en_US
dc.description.degree S.M. en_US
dc.contributor.department Massachusetts Institute of Technology. Dept. of Comparative Media Studies. en_US
dc.identifier.oclc 166228117 en_US


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