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dc.contributor.advisorWalter Bender.en_US
dc.contributor.authorVercoe, G. Scotten_US
dc.contributor.otherMassachusetts Institute of Technology. Dept. of Architecture. Program In Media Arts and Sciencesen_US
dc.date.accessioned2008-01-10T16:01:52Z
dc.date.available2008-01-10T16:01:52Z
dc.date.copyright2006en_US
dc.date.issued2006en_US
dc.identifier.urihttp://hdl.handle.net/1721.1/39923
dc.descriptionThesis (S.M.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2006.en_US
dc.descriptionIncludes bibliographical references (p. 81-88).en_US
dc.description.abstractThis thesis presents new methods designed for the deconstruction and reassembly of musical works based on a target emotional contour. Film soundtracks provide an ideal testing ground for organizing music around strict timing and emotional criteria. The approach to media analysis applies Minsky's ideas of frame-arrays to the context of film music, revealing musical and emotional cue points of a work. Media deconstructions provide a framework for the assembly of new musical material, leading to the creation of soundtracks using musical commonsense.en_US
dc.description.statementofresponsibilityby G. Scott Vercoe.en_US
dc.format.extent88 p.en_US
dc.language.isoengen_US
dc.publisherMassachusetts Institute of Technologyen_US
dc.rightsM.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission.en_US
dc.rights.urihttp://dspace.mit.edu/handle/1721.1/7582
dc.subjectArchitecture. Program In Media Arts and Sciencesen_US
dc.titleMoodtrack : practical methods for assembling emotion-driven musicen_US
dc.typeThesisen_US
dc.description.degreeS.M.en_US
dc.contributor.departmentProgram in Media Arts and Sciences (Massachusetts Institute of Technology)
dc.identifier.oclc182631131en_US


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