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dc.contributor.advisorMerritt Roe Smith.en_US
dc.contributor.authorPietruska, Jamie Len_US
dc.contributor.otherMassachusetts Institute of Technology. Program in Science, Technology and Society.en_US
dc.date.accessioned2009-10-01T15:48:04Z
dc.date.available2009-10-01T15:48:04Z
dc.date.copyright2009en_US
dc.date.issued2009en_US
dc.identifier.urihttp://hdl.handle.net/1721.1/47827
dc.descriptionThesis (Ph. D. in History, Anthropology, and Science, Technology and Society (HASTS))--Massachusetts Institute of Technology, Program in Science, Technology and Society, 2009.en_US
dc.descriptionIncludes bibliographical references (v. 2, leaves 316-340).en_US
dc.description.abstractThis study of the changing practices and perceptions of prediction in the late nineteenth century reveals the process by which Americans came to rationalize economic and cultural uncertainty into modern life. Forecasts of all kinds were ubiquitous in the late nineteenth century; as the United States fashioned itself into an urban-industrial power with a national economy and an increasingly corporate and bureaucratic society, prediction became an increasingly significant scientific, economic, and cultural practice. As a postbellum crisis of certainty destabilized ways of thinking about the future-in science, social science, and religion-predictions, whether accurate or not, offered illusions of control over one's future to citizens of a rapidly modernizing America. I argue that the late-century search for predictability found as much uncertainty as it did certainty, that consumers of predictions were at once desirous and dismissive of forecasts that often took on greater cultural than economic value, and that producers and consumers of prediction together rationalized uncertainty and shaped a new cultural acceptance of the predictable unpredictability of modern life. In the first half of the dissertation I analyze the work of U.S. Department of Agriculture statisticians, private cotton estimators, Weather Bureau forecasters, and local "weather prophets," all of whom sought to systematically convert their observations into economically valuable predictions. In the second half of the dissertation I focus on the work of utopian novelist Edward Bellamy, fortune-tellers, and spirit mediums, whose prophecies circulated by the thousands through rural and urban America.en_US
dc.description.abstract(cont.) "Propheteering" offers a new narrative of modernization by examining the tools and cultural practices used by both institutions and individuals to make sense of the late-century scientific and social reimagination of the future, however uncertain and fragmentary that future promised to be.en_US
dc.description.statementofresponsibilityby Jamie L. Pietruska.en_US
dc.format.extent2 v. (340 leaves)en_US
dc.language.isoengen_US
dc.publisherMassachusetts Institute of Technologyen_US
dc.rightsM.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission.en_US
dc.rights.urihttp://dspace.mit.edu/handle/1721.1/7582en_US
dc.subjectProgram in Science, Technology and Society.en_US
dc.titlePropheteering : a cultural history of prediction in the Gilded Ageen_US
dc.title.alternativeCultural history of prediction in the Gilded Ageen_US
dc.typeThesisen_US
dc.description.degreePh.D.in History, Anthropology, and Science, Technology and Society (HASTSen_US
dc.contributor.departmentMassachusetts Institute of Technology. Program in Science, Technology and Society
dc.identifier.oclc429488506en_US


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