| dc.contributor.advisor | Henry A. Millon. | en_US |
| dc.contributor.author | Hays, K. Michael | en_US |
| dc.date.accessioned | 2011-07-18T13:51:45Z | |
| dc.date.available | 2011-07-18T13:51:45Z | |
| dc.date.copyright | 1979 | en_US |
| dc.date.issued | 1979 | en_US |
| dc.identifier.uri | http://hdl.handle.net/1721.1/64831 | |
| dc.description | Thesis. 1979. M.Arch.A.S.--Massachusetts Institute of Technology. Dept. of Architecture. | en_US |
| dc.description | MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH. | en_US |
| dc.description | Bibliography: leaves 106-111. | en_US |
| dc.description.statementofresponsibility | by K. Michael Hays. | en_US |
| dc.format.extent | iv, 111 leaves | en_US |
| dc.language.iso | eng | en_US |
| dc.publisher | Massachusetts Institute of Technology | en_US |
| dc.rights | M.I.T. theses are protected by
copyright. They may be viewed from this source for any purpose, but
reproduction or distribution in any format is prohibited without written
permission. See provided URL for inquiries about permission. | en_US |
| dc.rights.uri | http://dspace.mit.edu/handle/1721.1/7582 | en_US |
| dc.subject | Architecture | en_US |
| dc.subject.lcsh | Art Philosophy | en_US |
| dc.subject.lcsh | Aesthetics | en_US |
| dc.subject.lcsh | Knowledge, Theory of | en_US |
| dc.title | Reference, coherence, meaning : a realist epistemology of art | en_US |
| dc.type | Thesis | en_US |
| dc.description.degree | M.Arch.A.S. | en_US |
| dc.contributor.department | Massachusetts Institute of Technology. Department of Architecture | |
| dc.identifier.oclc | 06860452 | en_US |
