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dc.contributor.advisorTerry Knight and Patrick Winston.en_US
dc.contributor.authorKassner, Moritz Philippen_US
dc.contributor.authorPatera, William Rhoadesen_US
dc.contributor.otherMassachusetts Institute of Technology. Dept. of Architecture.en_US
dc.date.accessioned2012-09-11T17:27:24Z
dc.date.available2012-09-11T17:27:24Z
dc.date.copyright2012en_US
dc.date.issued2012en_US
dc.identifier.urihttp://hdl.handle.net/1721.1/72626
dc.descriptionThesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2012.en_US
dc.descriptionThis electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.en_US
dc.descriptionPage 180 blank. Cataloged from student-submitted PDF version of thesis.en_US
dc.descriptionIncludes bibliographical references (p. 168-171).en_US
dc.description.abstractThis thesis explores the nature of a human experience in space through a primary inquiry into vision. This inquiry begins by questioning the existing methods and instruments employed to capture and represent a human experience of space. While existing qualitative and quantitative methods and instruments -- from "subjective" interviews to "objective" photographic documentation -- may lead to insight in the study of a human experience in space, we argue that they are inherently limited with respect to physiological realities. As one moves about the world, one believes to see the world as continuous and fully resolved. However, this is not how human vision is currently understood to function on a physiological level. If we want to understand how humans visually construct a space, then we must examine patterns of visual attention on a physiological level. In order to inquire into patterns of visual attention in three dimensional space, we need to develop new instruments and new methods of representation. The instruments we require, directly address the physiological realities of vision, and the methods of representation seek to situate the human subject within a space of their own construction. In order to achieve this goal we have developed PUPIL, a custom set of hardware and software instruments, that capture the subject's eye movements. Using PUPIL, we have conducted a series of trials from proof of concept -- demonstrating the capabilities of our instruments -- to critical inquiry of the relationship between a human subject and a space. We have developed software to visualize this unique spatial experience, and have posed open questions based on the initial findings of our trials. This thesis aims to contribute to spatial design disciplines, by providing a new way to capture and represent a human experience of space.en_US
dc.description.statementofresponsibilityby Moritz Philipp Kassner [and] William Rhoades Patera.en_US
dc.format.extent181 p.en_US
dc.language.isoengen_US
dc.publisherMassachusetts Institute of Technologyen_US
dc.rightsM.I.T. theses are protected by copyright. They may be viewed from this source for any purpose, but reproduction or distribution in any format is prohibited without written permission. See provided URL for inquiries about permission.en_US
dc.rights.urihttp://dspace.mit.edu/handle/1721.1/7582en_US
dc.subjectArchitecture.en_US
dc.titlePUPIL : constructing the space of visual attentionen_US
dc.title.alternativeConstructing the space of visual attentionen_US
dc.typeThesisen_US
dc.description.degreeS.M.en_US
dc.contributor.departmentMassachusetts Institute of Technology. Department of Architecture
dc.identifier.oclc805986530en_US


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