I. THE SILENT ERA |
1 | 1 | Introduction | Lecture 1 video | Lecture 1 & 2 student notes (PDF) |
2 | Keaton | Lecture 2 video |
2 | 3 | Chaplin, part I | Lecture 3 video | Lecture 3 student notes (PDF) |
4 | Chaplin, part II | Lecture 4 video | Lecture 4 student notes (PDF) |
3 | 5 | Film as a global and cultural form | | Lecture 5 student notes (PDF) |
6 | German film | | Lecture 6 student notes (PDF) |
II. HOLLYWOOD GENRES |
4 | 7 | Hollywood in the 1930s | | Lecture 7 student notes (PDF) |
8 | Capra and Hawks | | Lecture 8 student notes (PDF) |
5 | 9 | Hitchcock | | Lecture 9 student notes (PDF) |
10 | Shadow of a Doubt, Rear Window | | Lecture 10 student notes (PDF) |
6 | 11 | The Musical | | Lecture 11 student notes (PDF) |
12 | Astaire, Kelly, Fosse | | Lecture 12 student notes (PDF) |
7 | 13 | The Western | | Lecture 13 student notes (PDF) |
14 | Ford's The Searchers
| | Lecture 14 student notes (PDF) |
8 | 15 | American Film in the 1970s | Lecture 15 video | Lecture 15 student notes (PDF) |
16 | Altman and McCabe and Mrs. Miller
| Lecture 16 video | Lecture 16 student notes (PDF) |
III. INTERNATIONAL MASTERS |
9 | 17 | Renoir and poetic realism | | Lecture 17 student notes (PDF) |
18 | Renoir's Grand Illusion
| | Lecture 18 student notes (PDF) |
10 | 19 | Italian Neorealism | Lecture 19 video | Lecture 19 student notes (PDF) |
20 | DeSica's Bicycle Thieves
| Lecture 20 video | Lecture 20 student notes (PDF) |
11 | 21 | Truffaut and the Nouvelle Vague | | |
22 | Truffaut's The 400 Blows
| | |
12 | 23 | Kurosawa's Rashomon
| | |
13 | 24 | Summary perspectives: film as art and artifact | | |