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dc.contributor.authorHarris, Ellen T.
dc.date.accessioned2018-03-19T14:56:35Z
dc.date.available2018-03-19T14:56:35Z
dc.date.issued1990
dc.identifier.urihttp://hdl.handle.net/1721.1/114185
dc.language.isoen_USen_US
dc.publisherUniversity of California Pressen_US
dc.rightsPublished as Harris, Ellen T. “Integrity and Improvisation in the Music of Handel,” Journal of Musicology 8, (1990) 301-315. © 1990 by the Regents of the University of California. Copying and permissions notice: Authorization to copy this content beyond fair use (as specified in Sections 107 and 108 of the U. S. Copyright Law) for internal or personal use, or the internal or personal use of specific clients, is granted by the Regents of the University of California for libraries and other users, provided that they are registered with and pay the specified fee via Rightslink® or directly with the Copyright Clearance Center.
dc.subjectMusical performance, Music composition, Composers, Art objects, Musical improvisation, Theater, Plagiarism, Music criticism, Music practice, Written compositionen_US
dc.titleIntegrity and Improvisation in the Music of Handelen_US
dc.typeArticleen_US
dc.identifier.citationHarris, Ellen T. “Integrity and Improvisation in the Music of Handel,” Journal of Musicology 8, (1990) 301-315.en_US
dc.contributor.departmentMassachusetts Institute of Technology. Music and Theater Arts Section


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