Literature (21L) - Archived
Literature has been a central experience for the majority of MIT's undergraduates for more than 25 years: over that time approximately 75 percent of all undergraduates have studied the subject.
Designed to serve students majoring, minoring, and concentrating in Literature as well as those students who may get to take only one or two Literature subjects while at the Institute, the Literature curriculum at MIT offers a wide range of undergraduate classes at Introductory, Intermediate, and Advanced levels. Most classes are small and offer significant opportunity for student writing and speaking. Many classes focus on literature written in English, though we offer many others covering works in translation from antiquity to yesterday.
Notable for its interdisciplinary variety and for its openness to film and other forms of popular culture, the Literature program is also strong in traditional areas and historical periods such as Renaissance and the 19th Century. Most classes at all levels are offered once a year; many of the HASS-D introductory classes are offered every semester. Staffed by well-published, influential scholars and creative writers, the Literature faculty is recognized for its superior and committed teaching.
For more information, go to http://web.mit.edu/lit/www/
MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License .
21W.765J / 21L.489J / CMS.845 Theory and Practice of Non-linear and Interactive Narrative, Spring 2003 (2003-06)This class covers a range of topics including hypertext, interactive cinema, games, installation art, and soundscapes. It examines the potential for dynamic narrative in traditional media like novels and films and as well ...
(2002-12)In the Origin of Species, Charles Darwin gave us a model for understanding how natural objects and systems can evidence design without positing a designer: how purpose and mechanism can exist without intelligent agency. ...
(2007-06)This class explores the creation (and creativity) of the modern scientific and cultural world through study of western Europe in the 17th century, the age of Descartes and Newton, Shakespeare, Rembrandt and Moliere. It ...