| dc.contributor.author | Thorburn, David | en_US |
| dc.coverage.temporal | Fall 2007 | en_US |
| dc.date.issued | 2007-12 | |
| dc.identifier | 21L.011-Fall2007 | |
| dc.identifier | local: 21L.011 | |
| dc.identifier | local: IMSCP-MD5-63d6b1b09a996e048eba94b8db422271 | |
| dc.identifier.uri | http://hdl.handle.net/1721.1/77985 | |
| dc.description.abstract | This course is an introduction to narrative film, emphasizing the unique properties of the movie house and the motion picture camera, the historical evolution of the film medium, and the intrinsic artistic qualities of individual films. The primary focus is on American cinema, but secondary attention is paid to works drawn from other great national traditions, such as France, Italy, and Japan. The syllabus includes such directors as Griffith, Keaton, Chaplin, Renoir, Ford, Hitchcock, Altman, De Sica, and Fellini. | en_US |
| dc.language | en-US | en_US |
| dc.relation | | en_US |
| dc.rights.uri | Usage Restrictions: This site (c) Massachusetts Institute of Technology 2013. Content within individual courses is (c) by the individual authors unless otherwise noted. The Massachusetts Institute of Technology is providing this Work (as defined below) under the terms of this Creative Commons public license ("CCPL" or "license") unless otherwise noted. The Work is protected by copyright and/or other applicable law. Any use of the work other than as authorized under this license is prohibited. By exercising any of the rights to the Work provided here, You (as defined below) accept and agree to be bound by the terms of this license. The Licensor, the Massachusetts Institute of Technology, grants You the rights contained here in consideration of Your acceptance of such terms and conditions. | en_US |
| dc.subject | film history | en_US |
| dc.subject | American culture | en_US |
| dc.subject | Hollywood | en_US |
| dc.subject | Fred Ott | en_US |
| dc.subject | early film | en_US |
| dc.subject | D.W. Griffith | en_US |
| dc.subject | Buster Keaton | en_US |
| dc.subject | Charlie Chaplin | en_US |
| dc.subject | Renoir | en_US |
| dc.subject | Ford | en_US |
| dc.subject | Hitchcock | en_US |
| dc.subject | Altman | en_US |
| dc.subject | DeSica | en_US |
| dc.subject | narrative | en_US |
| dc.subject | video | en_US |
| dc.subject | visual communication | en_US |
| dc.subject | storytelling | en_US |
| dc.subject | media | en_US |
| dc.subject | hollywood | en_US |
| dc.subject | cinema | en_US |
| dc.subject | movie | en_US |
| dc.title | 21L.011 The Film Experience, Fall 2007 | en_US |
| dc.title.alternative | The Film Experience | en_US |
| dc.type | Learning Object | |
| dc.contributor.department | Massachusetts Institute of Technology. Literature Section | |
| dc.contributor.department | Massachusetts Institute of Technology. Department of Economics | |
