| dc.contributor.author |
DeFrantz, Thomas |
|
| dc.coverage.temporal |
Spring 2003 |
|
| dc.date.accessioned |
2009-06-19T12:04:05Z |
|
| dc.date.available |
2009-06-19T12:04:05Z |
|
| dc.date.issued |
2003-06 |
|
| dc.identifier |
21M.670-Spring2003 |
|
| dc.identifier.other |
21M.670 |
|
| dc.identifier.other |
SP.472 |
|
| dc.identifier.other |
WGS.472 |
|
| dc.identifier.other |
IMSCP-MD5-ff39622365dbb12ac35956f86dd84b81 |
|
| dc.identifier.uri |
http://hdl.handle.net/1721.1/45570 |
|
| dc.description.abstract |
This course explores the forms, contents, and contexts of world traditions in dance that played a crucial role in shaping American concert dance. For example, we will identify dances from an African American vernacular tradition that were transferred from the social space to the concert stage. We will explore the artistic lives of such American dance artists as Katherine Dunham, and Alvin Ailey along with Isadora Duncan, Martha Graham, George Balanchine, and Merce Cunningham as American dance innovators. Of particular importance to our investigation will be the construction of gender and autobiography which lie at the heart of concert dance practice, and the ways in which these qualities have been choreographed by American artists. |
en |
| dc.description.provenance |
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Previous issue date: 2003-06 |
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| dc.language.iso |
en-US |
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| dc.rights |
This site (c) Massachusetts Institute of Technology 2003. Content within individual courses is (c) by the individual authors unless otherwise noted. The Massachusetts Institute of Technology is providing this Work (as defined below) under the terms of this Creative Commons public license ("CCPL" or "license"). The Work is protected by copyright and/or other applicable law. Any use of the work other than as authorized under this license is prohibited. By exercising any of the rights to the Work provided here, You (as defined below) accept and agree to be bound by the terms of this license. The Licensor, the Massachusetts Institute of Technology, grants You the rights contained here in consideration of Your acceptance of such terms and conditions. |
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| dc.subject |
world traditions in dance |
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| dc.subject |
American concert dance |
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| dc.subject |
gender |
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| dc.subject |
autobiography |
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| dc.subject |
Katherine Dunham |
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| dc.subject |
Alvin Ailey |
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| dc.subject |
Isadora Duncan |
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| dc.subject |
Martha Graham |
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| dc.subject |
George Balanchine |
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| dc.subject |
American dance |
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| dc.subject |
choreography |
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| dc.subject |
21M.670 |
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| dc.subject |
SP.472 |
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| dc.subject |
WMN.472 |
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| dc.title |
21M.670 / SP.472 / WGS.472 Traditions in American Concert Dance: Gender and Autobiography, Spring 2003 |
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| dc.title.alternative |
Traditions in American Concert Dance: Gender and Autobiography |
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| dc.audience.educationlevel |
Undergraduate |
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| dc.subject.cip |
500301 |
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| dc.subject.cip |
Dance, General |
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