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HST.725 Music Perception and Cognition, Spring 2004

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dc.contributor.author Tramo, Mark J., M.D. Ph.D.
dc.contributor.author Cariani, Peter
dc.contributor.author Oxenham, Andrew
dc.coverage.temporal Spring 2004
dc.date.accessioned 2010-10-29T05:55:44Z
dc.date.available 2010-10-29T05:55:44Z
dc.date.issued 2004-06
dc.identifier HST.725-Spring2004
dc.identifier.other HST.725
dc.identifier.other IMSCP-MD5-6af40e4cb642cbe735c82be5de47044d
dc.identifier.uri http://hdl.handle.net/1721.1/59549
dc.description.abstract Survey of perceptual and cognitive aspects of the psychology of music, with special emphasis on underlying neuronal and neurocomputational representations and mechanisms. Basic perceptual dimensions of hearing (pitch, timbre, consonance/roughness, loudness, auditory grouping) form salient qualities, contrasts, patterns and streams that are used in music to convey melody, harmony, rhythm and separate voices. Perceptual, cognitive, and neurophysiological aspects of the temporal dimension of music (rhythm, timing, duration, temporal expectation) are explored. Special topics include comparative, evolutionary, and developmental psychology of music perception, biological vs. cultural influences, Gestaltist vs. associationist vs. schema-based theories, comparison of music and speech perception, parallels between music cognition and language, music and cortical action, and the neural basis of music performance. en
dc.language.iso en-US
dc.rights This site (c) Massachusetts Institute of Technology 2010. Content within individual courses is (c) by the individual authors unless otherwise noted. The Massachusetts Institute of Technology is providing this Work (as defined below) under the terms of this Creative Commons public license ("CCPL" or "license") unless otherwise noted. The Work is protected by copyright and/or other applicable law. Any use of the work other than as authorized under this license is prohibited. By exercising any of the rights to the Work provided here, You (as defined below) accept and agree to be bound by the terms of this license. The Licensor, the Massachusetts Institute of Technology, grants You the rights contained here in consideration of Your acceptance of such terms and conditions. en
dc.subject music perception en
dc.subject music cognition en
dc.subject music memory en
dc.subject pitch en
dc.subject timbre en
dc.subject consonance en
dc.subject harmony en
dc.subject tonality en
dc.subject melody en
dc.subject expressive timing en
dc.subject rhythmic hierarchies en
dc.subject auditory perception en
dc.subject auditory pathway en
dc.subject musical acoustics en
dc.subject power spectra en
dc.subject psychophysics en
dc.subject neurocomputational models en
dc.subject neural correlates en
dc.subject music therapy en
dc.subject synesthesia en
dc.subject absolute pitch en
dc.title HST.725 Music Perception and Cognition, Spring 2004 en
dc.title.alternative Music Perception and Cognition en
dc.audience.educationlevel Graduate
dc.subject.cip 261201 en
dc.subject.cip Biotechnology en
dc.subject.cip 302401 en
dc.subject.cip Neuroscience en
dc.date.updated 2010-10-29T05:55:46Z


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