| dc.contributor.author | Stiny, George N. | |
| dc.date.accessioned | 2016-06-17T21:53:28Z | |
| dc.date.available | 2017-03-01T16:14:49Z | |
| dc.date.issued | 2016-01 | |
| dc.identifier.issn | 1590-5896 | |
| dc.identifier.issn | 1522-4600 | |
| dc.identifier.uri | http://hdl.handle.net/1721.1/103155 | |
| dc.description.abstract | Shape grammars include Wilde’s aesthetic (critical) method—I can calculate with shapes as in themselves they really are not. Embedding makes this possible with schemas and rules that are “superb in [their] changes and contradictions”. | en_US |
| dc.publisher | Springer Basel | en_US |
| dc.relation.isversionof | http://dx.doi.org/10.1007/s00004-015-0274-4 | en_US |
| dc.rights | Creative Commons Attribution-Noncommercial-Share Alike | en_US |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc-sa/4.0/ | en_US |
| dc.source | Springer Basel | en_US |
| dc.title | The Critic as Artist: Oscar Wilde’s Prolegomena to Shape Grammars | en_US |
| dc.type | Article | en_US |
| dc.identifier.citation | Stiny, George. “The Critic as Artist: Oscar Wilde’s Prolegomena to Shape Grammars.” Nexus Network Journal 17.3 (2015): 723–758. | en_US |
| dc.contributor.department | Massachusetts Institute of Technology. Department of Architecture | en_US |
| dc.contributor.mitauthor | Stiny, George N. | en_US |
| dc.relation.journal | Nexus Network Journal | en_US |
| dc.eprint.version | Author's final manuscript | en_US |
| dc.type.uri | http://purl.org/eprint/type/JournalArticle | en_US |
| eprint.status | http://purl.org/eprint/status/PeerReviewed | en_US |
| dc.date.updated | 2016-05-23T12:12:52Z | |
| dc.language.rfc3066 | en | |
| dc.rights.holder | Kim Williams Books, Turin | |
| dspace.orderedauthors | Stiny, George | en_US |
| dspace.embargo.terms | N | en |
| dc.identifier.orcid | https://orcid.org/0000-0002-0962-0826 | |
| mit.license | OPEN_ACCESS_POLICY | en_US |
