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dc.contributor.authorSmentek, Kristel R
dc.date.accessioned2017-01-12T18:43:07Z
dc.date.available2017-01-12T18:43:07Z
dc.date.issued2016-03
dc.identifier.issn2470-5683
dc.identifier.urihttp://hdl.handle.net/1721.1/106455
dc.description.abstractOne of the more remarkable aspects of eighteenth-century European art is the proliferation of vases, both as physical objects and design ideas. From the illustrated volume dedicated to them in Johann Bernhard Fischer von Erlach’s historical survey of architecture, Entwurff einer historischen Architectur (1721), to the near ubiquitous presence of porcelain and hardstone vessels in elite eighteenth-century collections, to their mobilization by caricaturists in the latter half of the century, vases were ever present referents in eighteenth-century European culture. Indeed, it has been claimed that the eighteenth century was seized by a veritable “vasomanie.”en_US
dc.language.isoen_US
dc.relation.isversionofhttp://www.journal18.org/497en_US
dc.rightsCreative Commons Attribution-NonCommercial 4.0 Internationalen_US
dc.rights.urihttp://creativecommons.org/licenses/by-nc/4.0/en_US
dc.sourceJournal18en_US
dc.titleChina and Greco-Roman Antiquity: Overture to a Study of the Vase in Eighteenth-Century Franceen_US
dc.typeArticleen_US
dc.identifier.citationKristel Smentek, “China and Greco-Roman Antiquity: Overture to a Study of the Vase in Eighteenth-Century France”, Journal18, issue 1 (Spring 2016). © 2016 Journal18en_US
dc.contributor.departmentMassachusetts Institute of Technology. Department of Architectureen_US
dc.contributor.mitauthorSmentek, Kristel R
dc.relation.journalJournal 18en_US
dc.eprint.versionFinal published versionen_US
dc.type.urihttp://purl.org/eprint/type/JournalArticleen_US
eprint.statushttp://purl.org/eprint/status/PeerRevieweden_US
dspace.embargo.termsNen_US
dc.identifier.orcidhttps://orcid.org/0000-0003-1621-6247
mit.licensePUBLISHER_CCen_US


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