| dc.contributor.author | Montfort, Nick | |
| dc.date.accessioned | 2018-04-27T22:30:58Z | |
| dc.date.available | 2018-04-27T22:30:58Z | |
| dc.date.issued | 2018-03 | |
| dc.date.submitted | 2018-03 | |
| dc.identifier.issn | 2076-0787 | |
| dc.identifier.uri | http://hdl.handle.net/1721.1/115072 | |
| dc.description.abstract | It is clear that the contributions in this volume are not only insightful, but also wide-ranging, reaching into popular culture and across different media forms and practices. Rather than directly comment on this writing further, though, I offered to supplement the topics of these essays by pointing to a few additional categories of computational, poetic production that seem rich but relatively overlooked.
Keywords: interactive fiction; Twitter bots; computer-generated novels; performance | en_US |
| dc.language.iso | en_US | |
| dc.publisher | MDPI AG | en_US |
| dc.relation.isversionof | http://dx.doi.org/10.3390/h7010023 | en_US |
| dc.rights | Creative Commons Attribution | en_US |
| dc.rights.uri | http://creativecommons.org/licenses/by/4.0/ | en_US |
| dc.source | MDPI | en_US |
| dc.title | Further Reading | en_US |
| dc.type | Article | en_US |
| dc.identifier.citation | Montfort, Nick. “Further Reading.” Humanities 7, no. 1 (March 9, 2018): 23. © 2018 by the author. | en_US |
| dc.contributor.department | Massachusetts Institute of Technology. Program in Comparative Media Studies/Writing | |
| dc.contributor.approver | Montfort, Nick | en_US |
| dc.contributor.mitauthor | Montfort, Nick | |
| dc.relation.journal | Humanities | en_US |
| dc.eprint.version | Final published version | en_US |
| dc.type.uri | http://purl.org/eprint/type/JournalArticle | en_US |
| eprint.status | http://purl.org/eprint/status/NonPeerReviewed | en_US |
| dspace.orderedauthors | Montfort, Nick | en_US |
| dspace.embargo.terms | N | en_US |
| dc.identifier.orcid | https://orcid.org/0000-0001-7558-5160 | |
| mit.license | PUBLISHER_CC | en_US |
