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dc.contributor.authorMiljacki, Ana
dc.contributor.authorGallanti, Fabrizio
dc.date.accessioned2019-11-11T22:01:56Z
dc.date.available2019-11-11T22:01:56Z
dc.date.issued2017-04
dc.identifier.issn0717-6996
dc.identifier.urihttps://hdl.handle.net/1721.1/122824
dc.description.abstractWe usually understand the discipline as a collection of previous examples that can be used and manipulated as references for the design process. However, have we ever asked ourselves to what extent are we contravening the copyrights owned by previous colleagues? Are we aware of these regulations? This interview not only clarifies the history of copyright in architecture, but also seeks for the opportunities and possibilities underlying those legal concepts. Keywords: Copyrights; copies; originality; law; exhibitionen_US
dc.language.isoen
dc.publisherPontificia Universidad Catolica de Chileen_US
dc.relation.isversionofhttps://doi.org/10.4067/s0717-69962017000100017en_US
dc.rightsCreative Commons Attribution NonCommercial License 4.0en_US
dc.rights.urihttps://creativecommons.org/licenses/by-nc/4.0/en_US
dc.sourceOther repositoryen_US
dc.titleReferencias in/justasen_US
dc.title.alternativeUn/fair Referencesen_US
dc.typeArticleen_US
dc.identifier.citationMiljacki, Ana, and Fabrizio Gallanti. "Un/fair References." ARQ (Santiago), 95, (April 2017): 17-29 © 2017 Pontificia Universidad Catolica de Chileen_US
dc.contributor.departmentMassachusetts Institute of Technology. Department of Architectureen_US
dc.relation.journalARQ (Santiago)en_US
dc.eprint.versionFinal published versionen_US
dc.type.urihttp://purl.org/eprint/type/JournalArticleen_US
eprint.statushttp://purl.org/eprint/status/PeerRevieweden_US
dc.date.updated2019-08-05T12:37:17Z
dspace.date.submission2019-08-05T12:37:19Z
mit.journal.issue95en_US


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