dc.contributor.author | Miljacki, Ana | |
dc.contributor.author | Gallanti, Fabrizio | |
dc.date.accessioned | 2019-11-11T22:01:56Z | |
dc.date.available | 2019-11-11T22:01:56Z | |
dc.date.issued | 2017-04 | |
dc.identifier.issn | 0717-6996 | |
dc.identifier.uri | https://hdl.handle.net/1721.1/122824 | |
dc.description.abstract | We usually understand the discipline as a collection of previous examples that can be used and manipulated as references for the design process. However, have we ever asked ourselves to what extent are we contravening the copyrights owned by previous colleagues? Are we aware of these regulations? This interview not only clarifies the history of copyright in architecture, but also seeks for the opportunities and possibilities underlying those legal concepts. Keywords: Copyrights; copies; originality; law; exhibition | en_US |
dc.language.iso | en | |
dc.publisher | Pontificia Universidad Catolica de Chile | en_US |
dc.relation.isversionof | https://doi.org/10.4067/s0717-69962017000100017 | en_US |
dc.rights | Creative Commons Attribution NonCommercial License 4.0 | en_US |
dc.rights.uri | https://creativecommons.org/licenses/by-nc/4.0/ | en_US |
dc.source | Other repository | en_US |
dc.title | Referencias in/justas | en_US |
dc.title.alternative | Un/fair References | en_US |
dc.type | Article | en_US |
dc.identifier.citation | Miljacki, Ana, and Fabrizio Gallanti. "Un/fair References." ARQ (Santiago), 95, (April 2017): 17-29 © 2017 Pontificia Universidad Catolica de Chile | en_US |
dc.contributor.department | Massachusetts Institute of Technology. Department of Architecture | en_US |
dc.relation.journal | ARQ (Santiago) | en_US |
dc.eprint.version | Final published version | en_US |
dc.type.uri | http://purl.org/eprint/type/JournalArticle | en_US |
eprint.status | http://purl.org/eprint/status/PeerReviewed | en_US |
dc.date.updated | 2019-08-05T12:37:17Z | |
dspace.date.submission | 2019-08-05T12:37:19Z | |
mit.journal.issue | 95 | en_US |