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Opera by the Book: Defining Music Theater in the Third Reich

dc.contributor.authorPollock, Emily R
dc.date.accessioned2020-05-28T15:59:54Z
dc.date.available2020-05-28T15:59:54Z
dc.date.issued2018-07
dc.identifier.issn0277-9269
dc.identifier.urihttps://hdl.handle.net/1721.1/125555
dc.language.isoen
dc.publisherUniversity of California Pressen_US
dc.relation.isversionofhttps://dx.doi.org/10.1525/JM.2018.35.3.295en_US
dc.rightsCreative Commons Attribution-Noncommercial-Share Alikeen_US
dc.rights.urihttp://creativecommons.org/licenses/by-nc-sa/4.0/en_US
dc.sourceProf. Pollock via Nina Davis-Millisen_US
dc.titleOpera by the Book: Defining Music Theater in the Third Reichen_US
dc.typeArticleen_US
dc.identifier.citationPollock, Emily Richmond. “Opera by the Book: Defining Music Theater in the Third Reich.” The Journal of musicology 35 (2018): 295-335 © 2018 The Authoren_US
dc.contributor.departmentMassachusetts Institute of Technology. Department of Humanities. Music and Theater Arts Sectionen_US
dc.relation.journalThe Journal of musicologyen_US
dc.eprint.versionAuthor's final manuscripten_US
dc.type.urihttp://purl.org/eprint/type/JournalArticleen_US
eprint.statushttp://purl.org/eprint/status/PeerRevieweden_US
dc.date.updated2020-01-10T16:58:56Z
dspace.date.submission2020-01-10T16:58:58Z
mit.journal.volume35en_US
mit.journal.issue3en_US
mit.metadata.statusComplete


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