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dc.contributor.authorRoquet, Paul
dc.date.accessioned2021-03-24T21:48:59Z
dc.date.available2021-03-24T21:48:59Z
dc.date.issued2020-04
dc.date.submitted2019-11
dc.identifier.issn2055-1940
dc.identifier.issn2055-1959
dc.identifier.urihttps://hdl.handle.net/1721.1/130242
dc.description.abstractThis article traces forgotten debates over the cultural acceptability of headphone listening in order to present an audio-centric history of private virtual space. I focus on how cultural attitudes towards headphone use transformed in tandem with developments in 3D binaural audio, new practices of solitary listening, and sound engineers’ attempts to solve the “sound in the head” problem accompanying headphone use. Extending Jonathan Sterne’s work on the “detachable echo” of modern sound mixing to what I call the detachable ambience of head-mounted spatial audio, I explore what happens when headphone listening eliminates the mediation of the surrounding physical space to create a solitary virtual acoustics. Examining the post-Walkman normalisation of headphone use, I argue it was only with the architectural emergence of what Nango Yoshikazu calls the “one person space” that headphone listening became acceptable as a personal media practice, setting the stage for more recent debates over the privatised three-dimensional space of the virtual reality head-mounted display.en_US
dc.publisherInforma UK Limiteden_US
dc.relation.isversionofhttp://dx.doi.org/10.1080/20551940.2020.1750270en_US
dc.rightsCreative Commons Attribution-Noncommercial-Share Alikeen_US
dc.rights.urihttp://creativecommons.org/licenses/by-nc-sa/4.0/en_US
dc.sourcePaul Roqueten_US
dc.titleAcoustics of the one person space: headphone listening, detachable ambience, and the binaural prehistory of VRen_US
dc.typeArticleen_US
dc.identifier.citationRoquet, Paul. "Acoustics of the one person space: headphone listening, detachable ambience, and the binaural prehistory of VR." Sound Studies 7, 1 (April 2020): 42-63 © 2020 Informa UK Limiteden_US
dc.contributor.departmentMassachusetts Institute of Technology. Program in Comparative Media Studies/Writing
dc.relation.journalSound Studiesen_US
dc.eprint.versionAuthor's final manuscripten_US
dc.type.urihttp://purl.org/eprint/type/JournalArticleen_US
eprint.statushttp://purl.org/eprint/status/PeerRevieweden_US
dspace.date.submission2021-03-22T19:20:20Z
mit.journal.volume7en_US
mit.journal.issue1en_US
mit.licenseOPEN_ACCESS_POLICY
mit.metadata.statusComplete


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