MIT Libraries logoDSpace@MIT

MIT
View Item 
  • DSpace@MIT Home
  • MIT Open Access Articles
  • MIT Open Access Articles
  • View Item
  • DSpace@MIT Home
  • MIT Open Access Articles
  • MIT Open Access Articles
  • View Item
JavaScript is disabled for your browser. Some features of this site may not work without it.

Panoramic Video: Recording and Representing the Digital Heritage Experience

Author(s)
Nagakura, Takehiko; Tsai, Daniel; Choi, Joshua
Thumbnail
DownloadPublished version (819.2Kb)
Terms of use
Creative Commons Attribution NonCommercial License 4.0 https://creativecommons.org/licenses/by-nc/4.0/
Metadata
Show full item record
Abstract
<jats:p>In an essay on architectural representation, Stan Allen (2000) wrote about a paradoxical nature of built forms: “Buildings are presumably more tangible and physically present than drawings, yet it is only in the experience of the building that the most intangible aspects of reality can be made visible.”Documenting a heritage site is difficult since no representational method can make an exact copy without loss. This paper specifically examines panoramic recording media and related technologies as new means to archive and represent architectural heritage. It looks at cost effective and widely available platforms such as 360 video recording, YouTube, and immersive Head Mounted Display (HMD) equipment. Tests with subjects are conducted to probe how the experience of recorded panorama compares to the spatial and temporal experience in the physical space. For instance, the subjects with HMD are tested for the ability of sensing the correct scale and proportion of spatial forms in the playback. Through analysis of the test results, discussions are made as to the roles such systems can play in conveying the spatial environment, especially in representing some of its intangible aspects.The paper shows examples of prototype designs for exhibition that utilize panoramically recorded onsite footage in derivative forms. Recordings of sites such as Palladio’s villas and the Acropolis in Athens are used to demonstrate spatial and temporal editing, interactive panoramic walk-through combined with a map, and creation of a framed-video narrative reduced from panoramic videos. These methods illustrate a range of possibilities that put each dislocated recording back into context while controlling a balance between the viewer’s exploration and the intent of the curation, and shed a light on what is often difficult to achieve by other means of representations. </jats:p>
Date issued
2017
URI
https://hdl.handle.net/1721.1/134983
Department
Massachusetts Institute of Technology. Department of Architecture
Journal
Studies in Digital Heritage
Publisher
IUScholarWorks

Collections
  • MIT Open Access Articles

Browse

All of DSpaceCommunities & CollectionsBy Issue DateAuthorsTitlesSubjectsThis CollectionBy Issue DateAuthorsTitlesSubjects

My Account

Login

Statistics

OA StatisticsStatistics by CountryStatistics by Department
MIT Libraries
PrivacyPermissionsAccessibilityContact us
MIT
Content created by the MIT Libraries, CC BY-NC unless otherwise noted. Notify us about copyright concerns.