| dc.contributor.author | Brinkema, Eugenie Alexandra | |
| dc.date.accessioned | 2012-08-09T14:31:39Z | |
| dc.date.available | 2012-08-09T14:31:39Z | |
| dc.date.issued | 2011 | |
| dc.identifier.issn | 1466-4615 | |
| dc.identifier.uri | http://hdl.handle.net/1721.1/72064 | |
| dc.description.abstract | This article explores the role of disgust in Kant’s aesthetic philosophy, Derrida’s deconstruction of Kant’s third Critique in his article 'Economimesis,' and the figure of vomit in two films by David Lynch in order to argue for the ethical possibilities of not giving ground relative to one’s disgust—what I term an ethics of the worse than the worst. | en_US |
| dc.language.iso | en_US | |
| dc.publisher | One Humanities Press | en_US |
| dc.relation.isversionof | http://www.film-philosophy.com/index.php/f-p/article/view/276 | en_US |
| dc.rights | Creative Commons Attribution | en_US |
| dc.rights.uri | http://creativecommons.org/licenses/by/3.0/ | en_US |
| dc.source | Film-Philosophy Journal | en_US |
| dc.title | Laura Dern’s Vomit, or, Kant and Derrida in Oz | en_US |
| dc.type | Article | en_US |
| dc.contributor.department | Massachusetts Institute of Technology. Literature Section | |
| dc.contributor.approver | Brinkema, Eugenie Alexandra | |
| dc.contributor.mitauthor | Brinkema, Eugenie Alexandra | |
| dc.relation.journal | Film-Philosophy | en_US |
| dc.eprint.version | Final published version | en_US |
| dc.type.uri | http://purl.org/eprint/type/JournalArticle | en_US |
| eprint.status | http://purl.org/eprint/status/PeerReviewed | en_US |
| dspace.orderedauthors | Brinkema, Eugenie | en_US |
| dc.identifier.orcid | https://orcid.org/0000-0001-6631-2865 | |
| mit.license | PUBLISHER_CC | en_US |
| mit.metadata.status | Complete | |
